A pair of big-name writers have new shorter-form ebook originals out. Stephen King’s Guns is a “pulls-no-punches essay” about gun violence in America, with all proceeds going to Brady Campaign to Prevent Gun Violence. Meanwhile, Richard Russo has a new novella, Nate in Venice.
“Every sense cleared about three hundred percent and stood up on its hind legs waving its feelers.” Eighty years ago, James Agee got an assignment that entered him into history, though not during his lifetime. Let us now celebrate Let Us Now Praise Famous Men. See also: our essay on famous artist-writer collaborations, like Agee’s with Walker Evans.
Michael Cunningham, who alongside Maureen Corrigan and Susan Larson sat on the jury of the Pulitzer Prize for for fiction, gives the clearest account yet of how the award process works and defends the three shortlisted titles. His letter is in two parts, he also addresses the function of judgment and begins to build a poetics of literary greatness.
Chances are you’ve heard that in a recent interview, Claire Messud responded to a patronizing question about one of her characters — “I wouldn’t want to be friends with Nora, would you?” — by giving her interviewer a smackdown that resonated across the blogosphere. At Page-Turner, several authors (including Rivka Galchen, Jonathan Franzen and Year in Reading alumna Margaret Atwood) offer their own takes on the matter of “likeability.” (There’s also this piece by our own Emily St. John Mandel to consider.)