Recommended Listening: Hanya Yanagihara, author of A Little Life, on Otherppl with Brad Listi. “It was draining in ways that I didn’t really realize until the book was done.” Pair with our own Lydia Kiesling’s piece on life in the works of Yanagihara and Atticus Lish.
A Columbia University course that has taught generations of bright-eyed would-be Maxwell Perkins the ins and outs of the New York publishing biz has had to retool its curriculum to account for the e-book phenomenon, the New York Times reports.
“No novel gets uniformly enthusiastic reviews, but the polarized responses to The Goldfinch lead to the long-debated questions: What makes a work literature, and who gets to decide?” Vanity Fair has big questions and lots of opinions about Donna Tartt‘s latest novel, which we’ve covered pretty extensively ourselves.
Many aspiring writers wind up in publishing jobs or teaching posts. Some view the career choice as a happy union between their creative interests and their vocational qualifications. T. S. Eliot was not so. In an article for The Rumpus, Lisa Levy notes that the poet continued “to work at the bank even after his poems [became] successful,” and that the poet found the work “more conducive to writing poetry and criticism than taking a more literary job might be.”
The release date for Thomas Pynchon’s new novel is three weeks away, and to mark the occasion, Boris Kachka runs through a quick biography of the perpetually mysterious author. Among other things, Kachka points out that Pynchon resides in a fairly odd neighborhood for a recluse to choose to live in — the Upper West Side. (Previously: “Thomas Pynchon to Publish New Novel” and “New Thomas Pynchon Teaser.”)
In Meg Wolitzer’s new YA novel Belzhar, a group of teenagers packed off to an idyllic boarding school learn that they have the ability to undo their most serious traumas. Their discovery is sparked by a writing assignment in a class on Sylvia Plath. At Slate, Jennifer Ray Morell connects Wolitzer’s novel to Plath’s classic The Bell Jar. Related: our own Hannah Gersen’s interview with biographer Elizabeth Winder.