“Insanity, madness, obsession, math, objectivity, truth, science and art. These friends always impress me. They’re sculptors and tailors, not scientists or spies. I’ve chosen them with the peculiar attentiveness of a shell collector stupidly combining the overwhelming multitude of broken detritus to hold up one shell so beautiful that it finds its way into my pocket, lining my clothes with sand. And then another. Not too many, so that the sheer number could never diminish the value of one.” On madness and genius with cosmologist Janna Levin.
Out this week: The Twelve Lives of Samuel Hawley by Hannah Tinti; Compass by Mathias Enard; The Women in the Castle by Jessica Shattuck; Simulacra by Airea D. Matthews; and the Later Essays of Susan Sontag. For more on these and other new titles, go read our most recent book preview.
In 2011, Eternal Sunshine of the Spotless Mind screenwriter Charlie Kaufman gave a 70-minute lecture at the BFI in London. Little did he know Eliot Rausch would take snippets from that lecture, set them to accompanying, complementary visual clips, and turn the entire thing into a marvelous, beautiful video entitled What I Have to Offer.
What’s better than being a writer? A writer who gets paid. Manjula Martin and Jane Friedman have launched the new digital magazine Scratch, which gives writers information on how to advocate for their work. The preview issue is free and contains essays on what freelancers can learn from street vendors, Cord Jefferson on outgrowing his materialism, and an interview with Jonathan Franzen. You can subscribe here.