Boston Writers

Over at Public Books, Jared Gardner explores the theme of pain and illness at the heart of many graphic narratives. As he explains it, “Illness, mental and physical, is arguably comics’ invisible master theme, deeply woven into their genome and shaping the stories they tell, from the earliest newspaper strips (chronic allergies in Winsor McCay’s Little Sammy Sneeze) through the rise of superhero comics (from Batman’s PTSD in 1939 through the Fantastic Four’s radiation poisoning in 1961).” Pair with Paul Morton’s Millions piece on the history of Marvel Comics.

Harper Perennial is pairing the expansive resources of a major publishing house with the exciting risks of an indie press. Could this magical formula catch on at other houses?

“There is no such thing as a true story. I know this because my daughter insists I told her to put her dirty dishes in the sink when I know I told her to put them in the dishwasher.” Over at The Rumpus, Ellen Urbani writes about telling the truth.

Next year marks the 20th anniversary of David Foster Wallace‘s Infinite Jest. To celebrate, Little, Brown is holding a cover design contest, with a $1,000 grand prize. Also, you know, the pride of seeing Infinite Jest published in your cover. Whatever, no big deal.

New releases this week include Keith Richard’s rock memoir Life, reviewed for The Millions by Jim Santel, Michael Caine’s The Elephant to Hollywood, an “unabashedly old-school celebrity memoir” according to its New York Times review, and Stephen Sondheim’s songwriting book Finishing the Hat.