Don DeLillo has a new short story in The New Yorker, about a teenage boy in the midst of his parents’ divorce. Delillo spoke with Deborah Treisman about the character’s obsession with words and how he sees his identity in light of his parents’.
Bent Relics of Adolescence
That’s a Mouthful
A Hawaiian woman named Janice Keihanaikukauakahihuliheekahaunaele has won her battle against the state’s government computer systems and will now be able to fit her name – all 36 letters and 19 syllables of it – onto her driver’s license and ID card. Previously she’d been using a truncated version on her official documentation.
Michel Houellebecq on the Art of Fiction
Susannah Hunnewell interviews Michel Houellebecq, France’s controversial literary icon, for The Paris Review’s “The Art of Fiction” series: “There is a need for intensity. From time to time, you have to forsake harmony. You even have to forsake truth. You have to, when you need to, energetically embrace excessive things.”
●
●
Jonathan Franzen New Yorker Article
Jonathan Franzen writes of Robinson Crusoe, solitude, and David Foster Wallace in his new article from The New Yorker – but you’ll have to like their Facebook page to read it.
●
●
Dear Sandy, Hello
A look at Ted Berrigan‘s letters to his institutionalized wife, collected in Dear Sandy, Hello, at The Poetry Foundation.
Beautiful Malaysia
The latest short by James W. Griffiths, We Were Wanderers On a Prehistoric Earth, is an “ode to the incredible flora and fauna of Malaysia.” The film is accompanied by a passage from Joseph Conrad’s Heart of Darkness, and it’s clear that the author’s description of the Congo applies to Southeast Asia quite easily.
●
●