We’ve heard a lot about “Cool Pope” Francis in the past few weeks. For a take on the Vatican that’s a bit different from the usual fare, check out this piece from the London Review of Books on the pontiff’s battle against corruption among the cardinals in Rome.
And Also With You
Nabokov on the Run
One hundred years ago this week, a teenage boy named Vladimir Nabokov fled revolutionary Russia with his family for the safety of Western Europe.
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Waywords and Meansigns
Recommended listening: Waywords and Meansigns, a new project that’s set out to record Finnegans Wake in its entirety and set it to music. The complete work will be released on May 4th, but there are already a few samples available online.
Into Thin Air
Most readers have their own idiosyncratic systems for displaying the most valuable titles they own. For a lot of people, it makes the most sense to keep their favorite books on a particular shelf. At The Paris Review Daily, Sadie Stein writes about an odd phenomenon — “The Phantom Shelf,” which consists of books you love so much you had to lend them to friends. (Related: Kevin Hartnett on reading our parents’ bookshelves.)
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The Nobel Will Return in 2019
“These elements of scandal, by now familiar in the #MeToo era, claimed an unusual casualty on Friday: The Nobel Prize in Literature, the world’s most prestigious accolade for writing.” In the wake of a sex abuse scandal, The Swedish Academy announced it will postpone this year’s award until next year when they will name two winners. In the meantime, maybe we should all mull over the problem with prestigious prizes.
20 Writers to Watch
Another response to The New Yorker‘s 20 under 40 list, this time from Dzanc Books. Dzanc polled “nearly 100 independent publishers, agents, editors, bloggers and reviewers” and went through two rounds of voting to come up with 20 Writers to Watch: An Alternate List.
“A Caul of Ambiguity”
“How could we possibly trust any creature that comes into the world wearing such a caul of ambiguity? That’s “essayists.” Four hundred and four years later, they continue to flourish.” John Jeremiah Sullivan offers a loose history of the essay, essayists, and all their many contradictions in a piece for The New Yorker.
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