“Yes, he cheated, he cracked up, he was irresponsible and even cruel in the way he marshaled his life for his art. Lowell nonetheless believed that women were his intellectual and artistic equals. He spent most of his life behaving accordingly even as he treated his wives and mistresses so terribly, in romantic terms, that it was almost operatic. That is the puzzle of Robert Lowell and women.” It’s not quite Valentine’s Day yet, but this piece on the inarguably tumultuous relationship between Robert Lowell and Elizabeth Hardwick is sure to make you feel something.
World-building is an essential part of any story, but what about map-making? At Book Riot, two cartographers explain how they create the maps we see inside books. One cartographer’s perspective: “I really wanted to make a map that could easily be an artifact from the world of the book…. I came up with the idea that the map could be a page ripped from an atlas, and someone had written notes on it.” See also: Rob Goodman’s essay for the reader on world-building and its relationship to reality.
"The contradictions of [Madeleine] L’Engle’s life offer the best insights into the complicated acrobatics we perform in the modern world in order to satisfy the competing claims of love, family, success, and ambition....While the person that emerges could be tiresome, didactic, and just plain weird—why is everyone always breaking into a hymn at her house?—she could also be tender and offered real insights into the difficulties of growing up." There's a new biography of the A Wrinkle In Time author out, and The New Republic examines her life's many complexities and, well, wrinkles.
Overt at JSTOR Daily, Allana Mayer writes about visual literacy in the age of the Internet. As she explains it, “We have similar stories all throughout history: the moment when a perception—whether a literal way of seeing or a figurative mode of thinking—is assaulted and fundamentally shifts.” Pair with our own Bill Morris’s piece on the new Whitney Museum.