It’s not always a given that good people make good characters. Over at The Atlantic, Tony Tulathimutte explains how none other than one Philip Roth taught him the importance of showing every aspect of your characters–even the bad ones. Here’s an older piece from the same series in which Paul Lisicky writes about Flannery O’Connor and her “flawed characters.”
A More Sinister Effect
Virtual Hannah Tinti
The latest in virtual author appearances, an especially useful option for literary venues in the snowy midwest during winter: Hannah Tinti on Skype (audio and video) in Minneapolis via the Magers & Quinn “Books & Bars” Book Club series.
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The So-Called Elite
n+1 provides a fascinating study of today’s divisive concept of cultural elitism: “Today, though, it’s the bearers of culture rather than the wielders of power who are taxed with elitism. If the term is applied to powerful people, this is strictly for cultural reasons, as the different reputations of the identically powerful Obama and Bush attest. No one would think to call a foul-mouthed four-star general an elitist, even though he commands an army, any more than the term would cover a private equity titan who hires Rod Stewart to serenade his 60th birthday party.”
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Sasha’s Favorite Albums
Sasha Frere-Jones, who you may know from his work at The New Yorker, has listed his favorite albums of 2011, and even put together a Spotify playlist of some of his favorite singles. Isn’t that nice of him?
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On Internet Fiction
Jacob Silverman reviews two new novels – Note to Self and The More You Ignore Me – that “take on one incarnation of the Internet: the Internet as pathology” but ultimately fail to succeed “in exploring or critiquing digital life with any authority.” He notes that “like any technology, [the Internet] has to be shaped for the purposes of literature.”
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There Is No Real Life
If you enjoyed Bill Morris’s review of The Book of My Lives, Aleksandar Hemon’s latest collection of essays, then you’ll really like this interview with Hemon over at Guernica.
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OK, this is complicated
Nigella Lawson, British domestic goddess and former book critic, seems to have offended her novelist friend Sophie Waugh in a move reminiscent of the beginnings the hallowed hissy fit between V.S. Naipaul and Paul Theroux.
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Checkmate, Beckett
How did the game of chess inform the work of Samuel Beckett? Stephen Moss investigates.