It’s not always a given that good people make good characters. Over at The Atlantic, Tony Tulathimutte explains how none other than one Philip Roth taught him the importance of showing every aspect of your characters–even the bad ones. Here’s an older piece from the same series in which Paul Lisicky writes about Flannery O’Connor and her “flawed characters.”
A More Sinister Effect
Wherefore art thou Luke Skywalker?
Good versus evil, a hero coming of age, wars, and sibling love — Star Wars is the play William Shakespeare never wrote. Fortunately, Ian Doescher rewrote the tale of the Jedi in iambic pentameter in William Shakespeare’s Star Wars. The best part is the book trailer, which features Shakespearean actors wielding lightsabers.
Reading Courtside
From the WSJ, NBA players who read books, some of them pretty good (books and players, I guess). Also, the old “Phil Jackson gives his players books” anecdote is a familiar one, but who knew he passed out copies of 2666? (Thanks, Craig)
What a Crack-Up
Did F. Scott Fitzgerald’s “Crack-Up” essays — in which the author began to chronicle his mental collapse — usher in and anticipate the rise of autobiographical writing in America?
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Consider Us Tucked In
“Get yourself cozy, and get ready to go on a fantastic new adventure.” Idris Elba reading bedtime stories for #ProjectLiteracy? Yes please.
Some People Are Noble
“The terrible thing is that the reality behind these words depends ultimately on what the human being (meaning every single one of us) believes to be real. The terrible thing is that the reality behind all these words depends on choices one has got to make, for ever and ever and ever, every day.” James Baldwin on the artist’s struggle for “integrity.” Here’s a bonus piece from The Millions on Baldwin, race, and fatherhood.
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“I have a master’s degree in poetry.”
Most actors don’t go on The Tonight Show to promote literature, but leave it to James Franco to be the first to brag about getting his poetry M.F.A. to Jimmy Fallon. He discussed his new book, Directing Herbert White, and his mentor Frank Bidart. For more on the Bidart/Franco friendship, check out our own Janet Potter’s recap of attending an event featuring the two writers.
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A Time of Scarcity
“I realized that there was something wrong with an arrangement whereby a relatively affluent person such as I had become could afford to write about minimum wage jobs, squirrels as an urban food source or the penalties for sleeping in parks, while the people who were actually experiencing these sorts of things, or were in danger of experiencing them, could not.” Barbara Ehrenreich on writing about poverty.
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