Sophia Nguyen writes for Harvard Magazine about the Dark Room Collective, a group of black writers of “starry critical mass whose impact on American letters continues to expand.” Pair with her Millions review of Collective member Tracy K. Smith’s new memoir, Ordinary Light.
This one goes out to all the visual learners out there. Here’s a helpful, illustrated guide to writing scenes and stories with Jeff VanderMeer, author of the bestselling Southern Reach Trilogy. Bonus: here’s an interview by VanderMeer with author Richard House from earlier this year.
Among the recommendations and rules listed in the CIA’s official style guide: favor the active voice; keep sentences and paragraphs short; boats should not be referred to with gendered pronouns; and the “w” in “Vietnam war” should be lower case because war wasn’t officially declared.
In a piece for Public Books Rebecca Steinitz reviews some recent historical novels, including The Luminaries and The Invention of Wings, and argues that the best historical fiction “plunges the reader wholly into the past, enlightening and entertaining us, while also making us reflect on our present, in history and in literature.” Pair her piece with Laila Lalami‘s account of “How History Becomes Story.”
“History is littered with poets… who set up their own presses to publish their work, because it was so different from the normal forms of the time. Virginia Woolf and her husband Leonard are one example- they started their own press called the Hogarth Press (it is still going today) to publish collections of their work.” Self-publishing is something we’ve written about many times before, but Sarah Gonnet raises a good point – self-publishing isn’t truly a new phenomenon, and it does allow for a great deal of creative freedom.