A few weeks ago, I pointed you to this piece on the surprising racism of children’s books. The essay was a response to controversy surrounding the rescinded publication of Ramin Ganeshram’s A Birthday Cake for George Washington, which upset readers with its confusing, cheerful illustrations and alleged misrepresentation of the nature of slavery. Over at The Guardian Ganeshram defends herself and addresses the problem of cover design versus author intent.
In Case You Missed It: This email exchange between playwright Sarah Ruhl and the late Max Ritvo, whose Four Reincarnations is out next week: "I think my mind is a set of lapis lazuli steps falling apart, and all I want is to be told 'it’s alright, we rebuild it every day' But what is the it? What is it? And if I was vaporized by a ray gun but was then replaced instantly by an identical person with an identical filigree of nerves shot through with identical sparks cased in an identical skull—would it still be me? I don’t think so. I don’t know if even a perfect Reincarnation would be a Reincarnation to me, in my heart. I’m starting to feel like Theseus and I just want my fucking ship out of the dry-dock and back on the water."
Writing for Full Stop, Robert Fay asks, “If Mr. [T.S.] Eliot had to have a day job, why is it that writers and poets today are so cagey about what they do to pay the bills?” Previously, two of our staff writers have explored similar aspects of the same question. In 2009, Emily St. John Mandel wrote of the “constant struggle” that arises from “striking a balance between writing literary fiction and paying the rent.” And last year, Edan Lepucki looked at the perils of including “non-writing jobs” in one’s author bio.
At the Morgan Library in NYC: "A Woman's Wit: Jane Austen's Life and Legacy." Read the NY Times review of the show here. And, if your hankering for eighteenth and early nineteenth century English art isn't sated by the Austen, the Morgan is also offering "William Blake's World: 'A New Heaven Is Begun'".