Is Mark SaFranko the greatest American writer you’ve never heard of? We don’t know, but 3:AM Magazine makes a strong case in this interview with the author who they call an heir to Charles Bukowski and John Fante. Now you’ve heard of him, at least.
You’ve Probably Never Heard of Him
FSG’s New Online Literary Periodical
FSG just launched their new online literary periodical, Work in Progress. Check out their debut issue, where you’ll find Jeffrey Eugenides chatting about his latest book with Jonathan Galassi, fiction by Lydia Davis, summer book giveaways and photos from the FSG archives. Look for the clip from an FSG letter introducing Susan Sontag’s first book in 1963: “It is difficult, as you know, to create interest in new writers.”
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Jenny Zhang on the Importance of Funny Writers
Jenny Zhang on "the hardest and most worthwhile thing to achieve in writing:" making people laugh.
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Engage, Don’t Just Talk
“Perhaps no part of the First Novel Experience is as confusing and overwhelming as figuring out how to balance the demands of social media with the demands of writing more fiction.” Martha Woodroof talks with Lydia Netzer about social media in the world of publishing and book promotion. Their advice? “Try to be funny as much as you can. Try to participate in conversations, not just start your own. Try to engage, not just talk.”
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The Duty of Storytelling
“I don’t try to deliver a message, teach, inform or ‘give back’ in my books. I simply want to tell a story. My writing is totally separated from my activism and social service, which are channeled through my Foundation.” Megan Bradshaw interviews Isabel Allende for Asymptote Journal.
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Money, not ethics, ultimately motivates censorship
Ariel Bogle has a good round up over on Moby Lives about Paypal, Amazon, Apple, and censorship in publishing.
“Getting Angry, Baby?”
The fiftieth anniversary of Who’s Afraid of Virginia Woolf? is coming up on October 13th, so to get ready, pour yourself a drink (or five), don your best academic tweeds, and read these interviews with playwright Edward Albee and audience members who attended the play’s original 1962 run.
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