“Storytelling is an indispensable human preoccupation, as important to us all—almost—as breathing. From the mythical campfire tale to its explosion in the post-television age, it dominates our lives. It behooves us then to try and understand it.” On the inherent sameness of stories with John Yorke from The Atlantic.
Phillip Pullman, author of the much-beloved His Dark Materials series, has resigned as a patron of the Oxford Literary Festival due to the festival’s practice of not paying its guest authors. This move comes only one week after Pullman and the Society of Authors released an open letter to The Publisher’s Association and the Independent Publisher’s Guild, demanding authors receive fair compensation for their work.
“A woman I did not know called me to help her with something I have always loved to do: write. Certainly it was fate, my involvement destined to be a seed for a fairy tale ending, I thought. I was wrong,” Scott Saalman writes about the moral challenges of agreeing to help someone with their writing at The Morning News.
When The New York Times tried to ask Jhumpa Lahiri what immigrant fiction inspired her, she smacked the question down by saying there is no such thing as immigrant fiction. “If certain books are to be termed immigrant fiction, what do we call the rest? Native fiction? Puritan fiction? This distinction doesn’t agree with me. Given the history of the United States, all American fiction could be classified as immigrant fiction.”
Adonis, the great Syrian poet, has reproduced and adapted one of the ancient Muallaqat (The Suspended Odes) originally written by Zuhayr. The reproduction is hand-written on a scroll of paper, and then painted on, thereby “creating a new and contemporary interpretation of the text.”