Just when you thought I wouldn’t make you sad about Alan Rickman again, here he is starring in a film adaptation of one of Samuel Beckett’s short plays. In case you missed it last time, these recordings of Rickman reading from Shakespeare, Proust, and Thomas Hardy will surely generate some feelings.
The New York Times profiles our best tool in combating asinine email forwards: snopes.com. Use it liberally against all who forward you nonsense masquerading as “news.”
New this week: Gary Shteyngart’s much buzzed about Super Sad True Love Story, Rick Moody’s The Four Fingers of Death (another literary dystopia), and a new Roberto Bolaño collection, The Return. Bonus for GN’R fans: GN’R drummer Steven Adler’s tell-all memoir My Appetite for Destruction: Sex, and Drugs, and Guns N’ Roses.
“[E]ach video is a portrait of the artist as a beginner—and a look at the creative process, in all its joy, abjection, delusion, and euphoria.” The Paris Review has a new video series called “My First Time,” in which big-name authors talk about getting their start. Helen DeWitt, Jeffrey Eugenides, Sheila Heti, a chain-smoking Karl Ove Knausgaard – what more could anyone want? More origin stories, that’s what! Six writers – Colum McCann, Alexander Chee, Jami Attenberg, Emily St. John Mandel, Justin Taylor, and Anthony Marra – look back on their first books for us.
A couple months ago, I linked to a new Granta series in which authors select one of their own first sentences and recall how they came to it. This week, Patrick French explains the first sentence of a nonfiction piece titled “After the War” (available in Granta 125) by digging up an old photograph that shows how the Edwardian English were “stitched and machined into a grid of expectations.”