Titles are hard, guys. Over at The Daily Beast, Ruth Bernard Yeazell tries to figure out why so often famous paintings have titles that don’t seem to match up with the work at all. Here are four (4) other pieces on titles — I told you, titles are hard.
“For Mr. Kirn, 51, who indeed brims with an outer confidence that can be intimidating at times to those unused to brash, creative types who dress in custom cowboy boots and seem indifferent to the modest niceties of literary image, the loud underwear seems to be working this afternoon.” If this doesn’t read like the typical author profile that’s because Walter Kirn interviewed himself for The New York Times on his new book, Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade. Here’s our review.
“Mario purchased pickup trucks from which he removed panels and lights. The trick was packing the drugs in a part of the vehicle where the body wouldn’t lose its hollow sound when slapped.” These two sentences just got author Dan Slater‘s new book Wolf Boys banned from Texas prisons, inadvertently calling attention to Banned Books Week. Pair with two of our essays about controversial reads.
Thomas Pynchon’s new novel, Bleeding Edge, which we covered in several Curiosities, is out this week. Also out: Traveling Sprinkler by Nicholson Baker; Pickett’s Charge by Charles McNair; and a new translation of Boccaccio’s Decameron by UT-Austin professor Wayne Rebhorn. (For more on these and other upcoming titles, check out our Great 2013 Second-half Book Preview.)
Sam Jordison asks us how Heller’s Catch-22 became a bestseller. “Yossarian’s kept a lasting grip on our collective psyche; he’s the ultimate moral rebel. To object to him would be to put yourself on the side of stuffed shirts, those who kill for profit and in the name of absurd patriotism.”