Titles are hard, guys. Over at The Daily Beast, Ruth Bernard Yeazell tries to figure out why so often famous paintings have titles that don’t seem to match up with the work at all. Here are four (4) other pieces on titles — I told you, titles are hard.
“We lived, as usual, by ignoring. Ignoring isn’t the same as ignorance, you have to work at it.” BookRiot did us all a service by finding out the 10 most highlighted passages of (the e-book edition of) Margaret Atwood's The Handmaid's Tale. You must also read our own Edan Lepucki on reading and re-reading Atwood.
There are all kinds of arguments for reading the canon (Italo Calvino's come to mind) but why should we spend time reading untested contemporary authors? Tim Parks tackles this question, with a little help from Virginia Woolf, for The New York Review of Book's blog, and his argument pairs well with Guy Patrick Cunningham's Millions essay on reading the classics.
"I couldn’t put the books down. Now that so many of us complain of diminished attention spans— our own as well as our companions’—it’s worth asking what has made millions of readers willing to suspend their disbelief—to suspend their selves—for thousands of pages." Why have so many people gone gaga for Ferrante and Knausgaard? We have our own theories as well.