The book bloggers are all waiting for the announcement of the National Book Award winner, and I, too, have to wonder what will happen once we know the recipient of the award in the fiction category. These women have gotten a lot of grief from folks who think they shouldn’t be there. What I’m wondering is will the NY Times and all the rest end their crusade and graciously accept the winner, or will the winner, whoever she may be, have to bear more criticism on her own. We shall see. In the meantime I have dug up some old links that are, unlike all this NBA stuff, not very timely, but they are good, so I wanted to share them with you:First, take a look at Jonathan Yardley’s fantastic discussion of the American novels that are, to his mind, the best of the last 125 years. He calls it “State of the Art.”The discussion among my fellow book bloggers about the Paris Reviews magnificent decision to put all of their interviews online has got me thinking about the recently departed George Plimpton, which is why I was happy to find this wonderful interview that he conducted with Truman Capote about In Cold BloodFinally, there are two types of people in this world… well, not really, but in this post from earlier this year, Michael at 2Blowhards explains the difference between movie people and book people and a lively discussion follows.Well, that’s enough from the old bookmarks file. Expect more timely news sometime soon.
At The Daily Beast, Newsweek reporter Barbie Latza Nadeau on Amanda Knox, the American university exchange student convicted of the murder of her roommate, an English exchange student, Meredith Kircher, by Italian criminal courts in December 2009. The murder took place in Perugia, Italy, where both girls were studying abroad. The case, with its suggestions of ritual sexual violence, and Knox’s bizarre behavior throughout the investigation and trial transfixed the Italian media. The excerpt at the Beast is from Nadeau’s new book Angel Face: The True Story of Student Killer Amanda Knox.
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Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. “If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives.” On another side of the secrecy spectrum, Emma Straub writes about what it’s like to keep a personal secret even as her literary life was booming.
“I’m writing about people. Man involved in the human dilemma, facing the problems bigger than he, whether he licks them or whether they lick him. But man as frail and fragile as he is, yet he will keep on trying to be brave and honest and compassionate, and that, to me, is very fine and very interesting — and that is the reason I think any writer writes.” William Faulkner on why writers write in a rare recording from the University of Virginia, via Brain Pickings.
“Internet reading takes up my time without my setting that time aside for it, and fills me with images and thoughts that I don’t perceive going in, like radiation… In these online minutes or hours, I drift along with my mouth open, absorbing whatever’s floating by, never chewing or even swallowing, just letting it all seep pre-chewed into me”: an elegant argument against reading about books before you read the books in question at Electric Literature. (But we hope you’ll continue to read The Millions anyway.)