Are the kids really all right, though? Larry Clark’s notorious indie-skater odyssey Kids, which Rolling Stone once called “the most controversial film of the nineties” turns twenty this year, and The Literary Hub takes a look back.
“This notion of investigation offers an alternative to confession. Its goal isn’t sympathy or forgiveness. Life is not personal. Life is evidence. It’s fodder for argument. To put the “I” to work this way invites a different intimacy—not voyeuristic communion but collaborative inquiry, author and reader facing the same questions from inside their inevitably messy lives.” Year in Reading alum Leslie Jamison writes for The Atlantic about alternatives to the confessional mode in literature.
New this week: The Brunist Day of Wrath by Robert Coover; Frog Music by Emma Donoghue; Off Course by Michelle Huneven; And the Dark Sacred Night by Julia Glass; Worst. Person. Ever. by Douglas Coupland; The Ballad of a Small Player by Lawrence Osborne; Love & Treasure by Ayelet Waldman; and The Empathy Exams by Leslie Jamison. For more on these and other new titles, go read our Great 2014 Book Preview.
Thanks to the Yale Open Courses program, you can watch all 26 of Amy Hungerford’s lectures on “The American Novel Since 1945.” Also from the program, I highly recommend checking out John Rogers’ series of lectures on John Milton and Paradise Lost, as well as Paul H. Fry’s “Introduction to the Theory of Literature.”
“No one was more grimly adamant that the world was in mortal peril, or had more fun trying to save it from itself.” Over at The New Yorker‘s Page Turner blog, Alexandra Schwartz considers the life and work of Grace Paley, noting that Paley’s slim output “is a great shame, if not so surprising. Activism, like alcoholism, can distract a writer from the demands of her desk.” Also of note: this tribute to Paley that our own Garth Risk Hallberg wrote upon her death in 2007.
“I usually let the thunderous conclusions of love scenes pass without comment, with the exception of one tussle so histrionic that to deny its participants a [JOINT CLIMAXES] seemed downright petty.” Our own Matt Seidel discusses his work as a freelancer for a captioning and transcription company at The Morning News.