“Ah, I think, a lizard-poet. This particular category was one I had concocted years before to describe those poets who were too Olympian to mingle with the rest of us, who stood to the side, detached, having feelings.” Remembering Larry Levis, whose book of last poems, The Darkening Trapeze, was released this past week.
Planning on writing a prison scene? Worried your characters might sound a bit unrealistic? Then see if you can get your hands on the Bonne Terre dictionary. Written by inmates at a prison in Louisiana, the dictionary includes such idiosyncratic terms as “boat,” meaning a plastic bed, and “pumpkin,” meaning a new inmate.
America’s oldest LGBT bookstore, Giovanni’s Room, is closing on May 17. The Philadelphia staple is shutting its doors after four decades due to the owner’s retirement and financial problems. At Salon, Steve Berman remembers the store and discusses how its closure will affect the publishing and LGBT community. “So LGBT books are forced to the edges, to the shadows, despite claims of assimilation. Gay authors have to do more and more marketing to find readers. Gay publishers have to struggle with shrinking venues to showcase their titles.”
At Guernica, Kirsten O’Regan delves into labiaplasty, a “relatively unregulated, frequently botched” and scarily popular new surgery. The oddest (and saddest) thing she learns about the procedure? Apparently a lot of young mothers urge their daughters to do it.
Out this week: Friendship by Emily Gould; God Is an Astronaut by Alyson Foster; How to Tell Toledo from the Night Sky by Lydia Netzer; The Actress by Amy Sohn; Last Night at the Blue Angel by Rebecca Rotert; The Sleepwalker’s Guide to Dancing by Mira Jacob; Three Light-Years by Andrea Canobbio; The Sacred River by Wendy Wallace; The Great Glass Sea by Josh Weil; and a previously unpublished short story by Samuel Beckett.
Steve Almond at The Rumpus provides a “meditation on editors, ambition, and angry dependence” in reaction to the media’s coverage of the suicide of Kevin Morrissey, managing editor of The Virginia Quarterly Review.