“The call isn’t for a literature to, as Ta-Nehisi Coates has described, stop people from hitting us. […] But for a multiplicity of presence. A mingling, if not an acceptance, of a duality of presence. The right to be average. For the black guys in our literary fiction, if nowhere else, to be given the benefit of the doubt.” Over at the Ploughshares blog, Bryan Washington makes a case for inclusion in literary fiction.
Adrian Chen spoke with a former Facebook employee, and learned “how Facebook censors the dark content it doesn’t want you to see, and the people whose job it is to make sure you don’t.” In short: exploitation of “human content monitors” in the third world.
A new YA series spun off from The X-Files explores Fox Mulder’s teen years, and you can read the first chapter here. You may also be forgiven for feeling like the entire premise is a bit fraught. Not only is the mental image of Spooky Mulder with acne a tad jarring, but on a more existential level, as Zan Romanoff has written for our site, “there is no such thing as the young adult novel.”
To celebrate its 10th birthday, The Absolutely True Diary of a Part-Time Indian, Sherman Alexie’s National Book Award winning YA novel, is being reissued. The special anniversary edition features a new introduction by Jacqueline Woodson, family photographs, a new afterward, and an excerpt from the book’s upcoming sequel, Rowdy, Rowdy, Rowdy. Also worth your time is Woodson’s 2016 year in reading.
The Millions Editor Max is interviewed at the National Book Critics Circle today. Among the topics discussed, “the motivation for launching The Millions seven years ago” and what we look for in book reviews.
The University of Texas at Austin has recently acquired Kazuo Ishiguro’s archive. The collection reveals early drafts, a pulp Western novel that Ishiguro thought had been lost, and his early attempts at songwriting. “For many years,” he said, “I’ve been in the habit of keeping a large cardboard box under my desk into which I throw, more or less indiscriminately, all papers produced during my writing that I don’t want to file neatly and take into the next stage of composition: earlier drafts of chapters, rejected pages, scraps of paper with scribbled thoughts, repeated attempts at the same paragraph, etc.”