“AYN: This house was built in 1835 but, as you can see, the antiquated design elements suggest the work of a second-rate architect in love with the past who never had an original thought in his wasted life.” Go check out the newest episode of Ayn Rand’s Objectivist House Hunters at McSweeney’s.
Who was it that came up with the idea that a million monkeys in front of a million typewriters would eventually, with their random keyboard smashing, type William Shakespeare’s complete works? Well, you can give the experiment a try here (link from the CC). And while you’re waiting for your monkeys to finish typing Love’s Labor’s Lost, check out some book excerpts I found:Heir to the Glimmering World by Cynthia Ozick — excerpt, NYT review, SF Chronicle reviewChain of Command by Seymour Hersh — excerpt, CS Monitor reviewThe Double by Jose Saramago — excerpt, NZ Herald reviewThe Fall Of Baghdad by Jon Lee Anderson — excerpt, WaPo review
“It’s really strange to have the success of a poem be so directly tied to people processing grief. It’s a strange thing, because it’s a blessing and a curse.” The Rumpus interviews poet Maggie Smith about her new collection, Good Bones, her viral poem that shares its name, and her craft. From our archives: Smith’s collection was featured in our round-up of October’s Must-Read Poetry.
Any writer who has felt the sting of rejection—that is, all writers—will be inspired by the story of Dick Wimmer, who has died at the age of 74. Over the course of 25 years, a total of 162 agents and publishers rejected Wimmer’s first novel, Irish Wine, before it was finally published by Mercury House in 1989. The New York Times called it a “taut, finely written, exhaustingly exuberant first novel.” The L.A. Times invoked James Joyce in its review. Wimmer, the iron man of the rejection wars, went on to publish two sequels, Boyne’s Lassie and Hagar’s Dream (All three books are now available in a single volume from Soft Skull.) The moral of Wimmer’s story? Never give up.