“Summer morning is risen / and to even it wends / and still I’m in prison / without any friends.” Start your Monday off right with this piece from The Paris Review on John Clare, Christopher Smart, and the poetry of the asylum. Speaking of the madhouse, here’s a piece on Anne Sexton and her book Transformations.
The Inmates Have Taken Over
The Art of Showing Off
If you enjoy showing the world how much you like to read, you’re in luck: The Paris Review and the LRB are asking people to submit photos of themselves reading either magazine as part of their new contest. All you have to do is post the image on Twitter, Facebook or Instagram with the hashtag #ReadEverywhere, and they’ll pick out the top images. The grand prize is one vintage issue of The Paris Review from every decade it’s been around, along with an artwork by Peter Campbell and a vintage LRB cover print.
The Book of the Dead
“Reading the Grateful Dead is not a history of the band; it is a study of the landscape they and their fans created, as surveyed from a caravan that crisscrossed the country, Europe, and even Egypt for roughly 2,300 shows over 30 years.” Dead Head Buzz Poole takes a look at “Grateful Dead studies.” (The song that turned him, it turns out, was ‘Scarlet Begonias.’)
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Someone You’re Not
We’re all frauds on the internet! Ann Leary at The Literary Hub takes a look at why online relationships tend to falter in the “real world.” Here are a couple of complementary friendship-related essays from The Millions.
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Act 266, Scene 6
How do you turn a 900-page novel into a play? You make it five hours long, that’s how. Roberto Bolaño’s classic 2666 is headed for the stage.
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Bachmann’s Books
Michele Bachmann will participate in a live chat with Newsweek today, and will perhaps speak about the issue’s controversial cover. To prepare, NPR looks into which books and beliefs have shaped the presidential candidate’s views.
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Almost Operatic
“Yes, he cheated, he cracked up, he was irresponsible and even cruel in the way he marshaled his life for his art. Lowell nonetheless believed that women were his intellectual and artistic equals. He spent most of his life behaving accordingly even as he treated his wives and mistresses so terribly, in romantic terms, that it was almost operatic. That is the puzzle of Robert Lowell and women.” It’s not quite Valentine’s Day yet, but this piece on the inarguably tumultuous relationship between Robert Lowell and Elizabeth Hardwick is sure to make you feel something.