“Summer morning is risen / and to even it wends / and still I’m in prison / without any friends.” Start your Monday off right with this piece from The Paris Review on John Clare, Christopher Smart, and the poetry of the asylum. Speaking of the madhouse, here’s a piece on Anne Sexton and her book Transformations.
Recommended reading: Alex Beam on the distinction between books and "books."
“The past fascinates me obsessively, I suppose, because it’s such a strange phenomenon. The past was the present at some point, and it was just as boring as the present. What makes it so important? What gives it that luminous, exalted quality where it becomes the past?” John Banville addresses these and many other heady questions in his new novel, The Blue Guitar.
Joel Lovell profiles George Saunders for The New York Times, and he gives a killer endorsement for Saunders's latest book, Tenth of December. The author's collection from thirteen years ago, Pastoralia, was picked on our site as being among the "Best of the Millennium."
"In noir, the problem is not an individual: the problem is the world." Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here's a piece from The Millions's Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
When a professor of literature wrote Flannery O'Connor for a master key for interpreting her story, "A Good Man is Hard to Find," he probably did not expect her particularly unimpressed reply: "Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it." (Via the ever-excellent Letters of Note.)