“Yehuda Amichai’s genius lies in how—to borrow from his own language—he makes metaphor ‘useful.’ He thinks metaphorically, and in so doing he makes stories of them, treating his likenesses as if they were not metaphorical but animated literalisms. That’s why, I suspect, his metaphors have not merely poetic power but practical vitality, in the way that a horse is not only alive but usefully alive.” Every time James Wood publishes a big profile in The New Yorker, it’s worth a read; this week’s essay on the “secular psalmist” and poet Yehuda Amichai is no different.
Allan Gurganus commemorates the 100th anniversary of his teacher and friend John Cheever’s birth. “Cheever, now unfairly known as the gloomy, sodden satyr of suburbia,” Gurganus writes, “was at least rarely gloomy. Fact is he was more fun per minute than is legal in a nation this Republican.”
“In an ironic twist, Super Terrain, a publisher in France, has created a new edition of Bradbury’s classic that actually requires extreme heat in order to be read.” The prototype copy of Fahrenheit 451, which looks fully blacked-out until you apply heat, may be available to the general book-buying public in 2018. Check out: an essay about Ray Bradbury from our archives.
“In my mind, the encircled bird on the cover of the 1978 Pocket Books edition of Play It As It Lays immediately recalled another: the mockingjay pin given to Katniss Everdeen at the start of Suzanne Collins’s The Hunger Games.” At Paper Monument: the importance of book covers.
“I believe that fiction can help, and if that’s what makes me inevitably a genre writer, that’s okay,” John Green said in a speech at Kenyon College about why we should make art, genre fiction, and bad college hook up experiences. Bonus: Here are Green’s 18 books you probably haven’t read.