“The Disney character I most strongly identify with is the Beast before he learns how not to emotionally attack everyone around him, so.” Over at The Toast, Mallory Ortberg tells us why she is the perfect candidate for the job of Fisher King. T.S. Eliot would be proud. Or likely horrified.
At The Chronicle of Higher Education: A breathtakingly ballsy piece by an anonymous professional writer of academic papers — friend to non-native speakers, the rich and lazy, and the hopelessly dim. Whatever your professor wants, he delivers (for a fee, of course). This Ed Dante might remind you of Vitaly Borker, the charmingly unapologetic (and equally ballsy) thug internet retailer profiled by David Segal in the NYTimes a few weeks back.
The novel that had Scarlett Johansson filing charges of “fraudulent and illegal exploitation of (her) name” is due out next month in its English-language iteration. The First Thing You See by Grégoire Delacourt is ostensibly about a garage mechanic who ends up falling for a Johansson lookalike. For more on the legality of literature, here’s an essay for The Millions on J.D. Salinger and U.S. copyright.
Picador’s Gabrielle Gantz is holding monthly conversations with bloggers, and she posts the results on the publishing house’s fantastic Tumblr. Here she interviews Aidan Flax-Clark, associate editor of Lapham’s Quarterly, and gets him to discuss the similarities between his research and The Matrix.
“There are writers we instinctively, permanently dislike: not only will we never read them, we will quietly relish the not-reading, finding in it a pleasure that can occasionally rival reading itself.” Dan Piepenbring explores the advantages of not reading for the The Paris Review. Pair with our own Sonya Chung’s essay on the art of not finishing books.
Students at the University of California Santa Barbara, Rutgers, Oberlin, and others have been requesting “trigger warning” labels on literature from The Great Gatsby to Huck Finn. In The Guardian, University College London Professor John Mullan snipes, “You might as well put a label on English literature saying: warning – bad stuff happens here.”