Recommended Reading: On how old age is represented in literature.
The End of the Story
Alliteration Works, See?
Continuing her ongoing instructional column for The New York Times, Constance Hale gives some pointers on the sweet science of writing for the ear.
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Poetry for Dummies
“To fully understand poetry, familiarize yourself with the elements of a poem, such as meter, which is 3.28 feet.” Katie Burgess teaches us how to properly read a poem for The Rumpus’ Funny Women column.
Kindle Spam is Here
Inevitable: Spam is increasingly cropping up among the self-publishing hordes on the Kindle.
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Literary Cartographies
“Everyone was compared to García Márquez or Fuentes once upon a time. Now it’s Bolaño or Vila-Matas (best case scenario). I am not sure what the reason for this is. There are many possible explanations. One may be that Latin America is still conceived by many as a kind of remote, torrid zone, an isolated and disconnected region of the world. So the only possible references associated with younger writers are the better-known older ones, always writing within the same language.” Over at The White Review, Stephen Sparks interviews Valeria Luiselli about Latin American criticism and borrowing from the past. Also check out Lily Meyer’s Millions review of Luiselli’s new novel, The Story of My Teeth.
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Questions of Travel
Elisa Wouk Almino writes for Hyperallergic about her search for a home in Elizabeth Bishop’s poetry of estrangement. As she explains it, “Over time, I’ve found that home is not always attached to place.” Pair with this meditation on Bishop’s poetry.
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Only Connect
Recommended Reading: Anything that Vivian Gornick writes. Here’s an essay from The New York Times on how literature ages and rereading E.M. Forster’s Howard’s End. Our own Lydia Keisling also wrote a fantastic piece on the Forster classic.
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