Sometimes the most important issues are the most difficult to discuss. While a conversation about diversity in literature has started, The New Republic asks us why socioeconomic status is often left out of the conversation. Our essay on the rise and fall of the creative class pairs nicely.
Rebecca Schuman argues in an essay for Slate that extraordinarily long course syllabi are killing the college classroom. If it’s academic homicide you’re after, you might also want to check out Cathy Day’s piece for The Millions in which she suggests that academia might just be killing the novel, too.
Pulitzer Prize-winning author James Alan McPherson has passed away at 72. His anthology Elbow Room won the Pulitzer for fiction in 1978. He was one of the first individuals to receive a genius grant from the MacArthur Foundation. He graduated from Harvard Law school, but instead decided to pursue writing and later earned an MFA from the Writers’ Workshop at the University of Iowa, where he was a professor emeritus.
Albertine Books, the bookshop of the Cultural Services of the French Embassy in New York City, is offering a $10,000 prize aimed at “introducing American readers to the best French-language novels that have been translated into English.” Among the nominees this year is Bardo or Not Bardo by Antoine Volodine, who was recently the subject of a Millions piece.
“Being someone who’s an outsider, there are so many ways in which the world acts on you or assigns narratives to you.” Literary Hub interviews author Azareen Van der Vliet Oloomi about literature, identity, and her new novel, Call Me Zebra. From our archives: Nur Nasreen Ibrahim‘s review of Call Me Zebra.