A few rare stolen manuscripts from the New York Public Library have been the subject of a court case. Melville House covers the progression of the case so far. Travis McDade writes about rare book crime capers in the recent past for The Millions.
When somebody you’re talking to brings up a writer — say Richard Russo — that you haven’t read, but should have, you probably say you haven’t read them because you “just don’t where to start.” Unfortunately, the folks at Book Riot just published a book, Start Here, that might blow up your excuse.
“Do you know the philosopher Slavoj Žižek?” asks John Jeremiah Sullivan in his interview for the LA Review of Books. “He has this thing about love, the evil of love, and he says, I really don’t like love, because what love says is: I pick you out from everything, and I’m going to give you special attention, meaning that everything else is denigrated, and he says there’s something a little evil in that, and in the same way I think that there something a little philistine about lists.”
“He taught me that poetry can be anything and with that comes great freedom.” Reminiscences by a former student of the poet John Ashbery upon his death. And for a contemporary take on the question of just what, exactly, poetry is and/or might be, see our recent conversation between Jill Bialosky and Matthew Zapruder.
It’s not a commonly held opinion, but Hilary Mantel thinks Henry VIII was a romantic. In a brief interview with Jamie Sharpe, the Wolf Hall author dispels the common view of the oft-married king as a philanderer. “He thought that he had to shape his life and shape his kingdom for each woman,” she says. “Men didn’t think that way in those days.” You could also read Damian Barr’s interview with her at The Millions.
In a new ten-part Believer series, Sheila Heti is interviewing ten of her “favorite people on Twitter” so they can “talk about what they do on Twitter and why – their Twitter philosophies, their do’s and don’ts, and what they make of the medium in general.” Kicking off the series, we have Heti’s interview with Kimmy Walters, who you may know better as @arealliveghost. (You can bookmark this link if you want to keep track of all of the updates.)
“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.