“You can’t be worrying how you sound. You can’t wonder whether you or your characters are likable or smart or interesting. You have to be inside the scene—the tactile world of tables and chairs and sunlight—attending to your characters, people who exist for you in nonvirtual reality.” Paris Review editor Lorin Stein writes for The New York Times about solitude in the age of the Internet and the future of the book.
“Reading the Grateful Dead is not a history of the band; it is a study of the landscape they and their fans created, as surveyed from a caravan that crisscrossed the country, Europe, and even Egypt for roughly 2,300 shows over 30 years.” Dead Head Buzz Poole takes a look at “Grateful Dead studies.” (The song that turned him, it turns out, was ‘Scarlet Begonias.’)
BOMB Magazine is collaborating with Farrar, Straus & Giroux to commence their “Something Out of Something” design contest. Participating designers, writers, and artists are invited to “draw inspiration from the written work of Israeli short story writer and filmmaker Etgar Keret to create visual art of their own.” Winners will receive $500, a personalized copy of Suddenly, a Knock on the Door, and their artwork’s appearance in a Keret story or film. You can read the full details on the contest’s Tumblr and Facebook pages.
This year’s Whiting Award winners have been announced. The award recognizes “ten emerging writers of fiction, nonfiction, drama, and poetry, and are based on the criteria of early-career achievement and the promise of superior work to come.” The winners include Catherine Lacey (of Nobody Is Ever Missing); Alice Sola Kim (of Mothers, Lock Up Your Daughters Because They Are Terrifying); and Ocean Vuong (of Night Sky with Exit Wounds, among other books).