“Perhaps postcards best capture a nostalgia inherent to the passerby.” Our own Bruna Dantas Lobato writes about literary postcards and how we imbue images with our own meanings for Ploughshares. You could also read about images that inspire authors from another one of our staffers, Edan Lepucki.
Last week, I mentioned Look Who’s Back by Timur Vermes, which caused a stir in Germany with its tale of a time-hopping Hitler. Now, Daniel Torday reviews the book for the Times, judging it both for its historical research and its merits as a work of fiction. Sample quote: “The German public’s acceptance of the artist they think they’re watching provides a critique of pop culture. But it feels like bringing the Luftwaffe to a knife fight.”
Recommended viewing: The New Yorker‘s Adam Gopnik talks about his early years in New York writing for the magazine “though they simply weren’t aware of it, or when they were aware of it they were extremely unenthusiastic,” and about all the odd jobs that often make up a writer’s early career, something our own Emily St. James Mandel has written about before.
Hold on to your starched collars: In breaking Shakespeare news, Oxford University Press announced that in its new edition of the complete works of William Shakespeare, Christopher Marlowe will receive credit as co-author on the Henriad plays. And if you’re really tired of Will getting all the credit, you’ll enjoy our recent piece about the surge of interest in Ben Jonson, who’s basically the Third Tenor to their more famous voices.
“It is a darker book, I don’t deny that, but that’s the story that came to me and wanted to be told.” Seventeen years after Philip Pullman‘s His Dark Materials trilogy ended, the writer is releasing La Belle Sauvage, the first volume of his new trilogy, The Book of Dust. Pullman also said the second volume of the trilogy of already complete, according to The Guardian. Check out our own Janet Potter on grief, books, and His Dark Materials.