“Perhaps postcards best capture a nostalgia inherent to the passerby.” Our own Bruna Dantas Lobato writes about literary postcards and how we imbue images with our own meanings for Ploughshares. You could also read about images that inspire authors from another one of our staffers, Edan Lepucki.
A group of researchers from the University of Cambridge is using Twitter to help research the rapidly disappearing Welsh language “[because] tweets don’t follow the conventions of written language” and instead “provide an authentic snapshot of spoken language.” (Bonus: Twitter’s stunning visualizations of “tweet geography.”)
Man Booker Prize-winner Marlon James is finished talking about diversity, and here’s part of his logic: “A panel on diversity is like a panel on world peace. It should be seeking a time when we no longer need such panels. It should be a panel actively working towards its own irrelevance. The fact that we’re still having them not only means that we continue to fail, but the false sense of accomplishment in simply having one is deceiving us into thinking that something was tried.”
“My friend Kathy was a Mustang Ranch girl in the eighties, had a line on how to bring cocaine into town, and was party girl central and making a lot of money. She was in the center of it in a way that my characters can see but they can’t ever get to. Reno is a beautiful, beat up, and weird town devoted to this false notion of luck. It’s a beautiful place.” Talking with Christian Kiefer.
“When I was 16 years old, some of my brothers and sisters and cousins [were] going down to the public library trying to get public library cards, and we were told the library was for whites only, not for coloreds. To come here and receive this award this honor is too much. Thank you.” Representative John Lewis upon receiving the National Book Award for volume three of his graphic memoir March, which documents Lewis’s role in the civil rights movement.
Between the 40 Towns project organized by Jeff Sharlet’s Dartmouth students and the newly unveiled Vanishing Point project from Duncan Murrell’s students at Duke’s Center for Documentary Studies, it seems abundantly clear that college students are better at putting together web publications than 99% of established publishing outfits. Begin your tour with Christine Delp’s look at a blind man who makes his own martinis, and then check out other stories such as Ge Jin’s photographic essay on Chinese university students.