What is the best approach for creating a book cover? Over at Capatult, Tanwi Nandini Islam considers the best book cover for her debut novel, Bright Lines. Also check out this comparison of U.S. and U.K. book covers.
The Rumpus points out that both it and HTML Giant are experimenting with ads. I was also noticing recently that several enterprising literary magazines – including The Paris Review and Canteen have been advertising on Google. (You can buy ads on The Millions too.)
“The purpose of being a serious writer is not to express oneself, and it is not to make something beautiful, though one might do those things anyway. Those things are beside the point. The purpose of being a serious writer is to keep people from despair. If you keep that in mind always, the wish to make something beautiful or smart looks slight and vain in comparison. If people read your work and, as a result, choose life, then you are doing your job.” Year in Reading alumna Sarah Manguso on envy and the purpose of writing. Pair with Jaime Green’s Millions review of Manguso’s Ongoingness.
In an interview for Guernica Jonathan Lee talks to Chris Parris-Lamb, the literary agent who represented Chad Harbach‘s The Art of Fielding, John Darnielle‘s National Book Award-nominated Wolf in White Van, and now our very own Garth Risk Hallberg‘s upcoming City on Fire, about “The Art of Agenting.” Pair with our own Edan Lepucki‘s conversation with her agent, “Don’t Ever Do It for the Money,” and with the opening lines of City on Fire, a Millions exclusive.