David Orr writes for The New York Times about Christopher Gilbert’s new collection of poems, Turning Into Dwelling, and the importance of innovation in poetry. As he puts it, “One of the hidden strengths of art is that there is always the possibility that what had seemed like a final breath may simply be the long pause before a new inhalation.” Pair with Andrew Kay’s Millions essay on the power of poetry.
Pause Like a Red Light
The David Foster Wallace Conference
The Howling Fantods live-blogged last week’s DFW conference at CUNY.
The Best Case for Cloning
A 27 pound lobster has been caught off the coast of Maine. Now, who’s going to be the first to come up with a 50 pound dab of butter?
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PEN Pinter Prize
Margaret Atwood has been awarded the PEN Pinter Prize for her environmental and humanitarian rights work. Pair with a review of The Heart Goes Last.
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Koestenbaum on Levé
Humiliation author Wayne Koestenbaum takes a page out of our own Mark O’Connell’s book to review Édouard Levé’s Autoportrait.
Jane at 40
The Austen Project, launched last year, asks prominent contemporary writers to reimagine Jane Austen’s classics in modern times. (Thus far, we’ve seen Joanna Trollope’s Sense and Sensibility and Val McDermid’s Northanger Abbey.) In perhaps the most significant adaptation yet, Curtis Sittenfeld has announced that her Pride and Prejudice will feature a 39-year-old Jane Bennet. After all, Jane (23 in the original novel), is “pretty much teetering on the edge of spinsterhood.”
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Art Spiegelman on the Lasting Power of ‘Maus’
Art Spiegelman on Maus, which is back in the news after being banned by a Tennessee school board.
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Public Speaking
“You mean people who are now in their twenties? They won’t care. People who are in their twenties will have already done this stuff, so there’s now a record. When those people are old enough to be in charge of things—which by the way I don’t ever want them to be in charge of things, and luckily, I will be dead when these people take over—everybody will have that vulnerability. When everybody is vulnerable to something it’s not a weapon.” Fran Lebowitz talks to The Awl about old New York, writer’s block, and why the politicians of the future won’t have sex tapes.
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