David Orr writes for The New York Times about Christopher Gilbert’s new collection of poems, Turning Into Dwelling, and the importance of innovation in poetry. As he puts it, “One of the hidden strengths of art is that there is always the possibility that what had seemed like a final breath may simply be the long pause before a new inhalation.” Pair with Andrew Kay’s Millions essay on the power of poetry.
Pause Like a Red Light
Amitava Kumar, Collector of Writerly Advice Distilled Into One Line
For years, Amitava Kumar has asked writers to sign copies of their books and add a line of valuable advice, "as a glimpse into that particular writer’s mind."
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Motherless Brooklyn on Screen
Edward Norton has wanted to adapt Jonathan Lethem’s Motherless Brooklyn since it came out, but finding financing was almost as difficult as solving Frank Minna’s murder. Now, Brett Ratner has agreed to fund the film with Norton directing and starring as Lionel Essrog.
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Tuesday New Release Day: Barry; Critchley; Tranströmer; Kolaya; Angell
Out this week: Beatlebone by Kevin Barry; Memory Theater by Simon Critchley; Bright Scythe: Selected Poems by Tomas Tranströmer; Charmed Particles by Chrissy Kolaya; and This Old Man by Roger Angell. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
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Imani Perry Looks at Richard Wright With Fresh Eyes
Imani Perry delves into The Man Who Lived Underground, a previously unpublished novel by Richard Wright that sheds a new perspective on his legacy.
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In the Future, All Art Historians Will Work 20 Hours a Week
A couple of contrarian views on the current job market and its woes: “How Art History Majors Power the U.S. Economy” (at Bloomberg, no less) and “Cut the working week to a maximum of 20 hours, urge top economists” (sign me up).
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