Peek inside a part of the DIY publishing world: zines. “Before the Internet democratized media, self-publishing was one of few ways for ordinary people to record and share with a wider audience. Zines on old taboos like sexual orientation could provide a staticky connection to a community of others with nonstandard identities in an age before chat rooms and message boards and — perhaps most importantly — simple ways to anonymize yourself.”
HBO turned down the television adaptation of Jonathan Franzen’s The Corrections, despite an all-star crew: Franzen himself adapted the novel to television, Noah Baumbach promised to direct the series, and Ewan McGregor and Maggie Gyllenhaal were cast as leads. Novelist A-J Aronstein can now breath a sigh of relief; they won’t be filming The Corrections at anyone’s house.
“Because I am a writer, people sometimes ask me how ebooks have changed the literary landscape. The short answer, for me, is that I have developed a compulsion to drunk-dial Agatha Christie several times a week.” Elif Batuman on buying (and reading) while intoxicated, at Guardian.
Following up their publication of Charles Portis’s “Motel Life, Lower Reaches” online, the Oxford American brings us a speech in verse by Jay Jennings, the editor of a recent compilation of Portis’s work (which our own Bill Morris reviewed). Jennings delivered an ode to Portis to mark the author winning the Porter Prize Lifetime Achievement Award. Sample quote: “But you read the next book because the main character was from Little Rock,/and you knew no other book where the main character was from Little Rock/and you wanted to write a book about Little Rock.”
While on the publicity tour for his latest book, Boomerang: Travels in the New Third World, Michael Lewis stops by NPR‘s “Fresh Air” to talk Greece, the Euro, California’s “third world problems,” and the Occupy Wall Street protests. The author also gets a nice write-up in the latest New York Magazine, and his interview on last night’s “The Daily Show” ran so long, they had to put the full version online. (Start “The Daily Show”‘s clip at ~21:50 for the interview.)