Maria Popova writes about Kenny’s Window, Maurice Sendak’s “debut as a storyteller.” Our own Emily Collette Wilkinson reflected on Sendak’s vision upon his passing.
On Kenny’s Window
You Are What You Read
“In another experiment, people who went through this ‘experience-taking’ process while reading about a character who was revealed to be of a different race or sexual orientation showed more favorable attitudes toward the other group and were less likely to stereotype.”
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Overshadowed But Not Overlooked
In addition to the shortlist for the IMPAC, the 2012 Guggenheim Fellows and the shortlist for the prestigious sci-fi accolades, The Hugo Awards (including the exotic subgenre Semiprozine), were announced yesterday.
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Robert Gardner and Peter Matthiessen in Conversation
The New York Times unearthed footage from a 1996 interview with Robert Gardner and Peter Matthiessen. The pair discuss a trip they took to New Guinea in the 60s, which “resulted in Gardner’s film Dead Birds and Matthiessen’s book Under the Mountain Wall.”
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Danticat’s Definition
Edwidge Danticat gives us one of the best definitions of the short story in an interview with Kima Jones at The Rumpus. “The short story is like an exquisite painting and you might, when looking at this painting, be wondering what came before or after, but you are fully absorbed in what you’re seeing.” They also discuss Danticat’s novel Claire of the Sea Light, Haitian and Dominican relations, and giving yourself permission to tell the truth. To find out what Danticat has been reading, see her 2013 Year in Reading.
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