Recommended Reading: Alice Walker and Colm Tóibín discuss adaptations of their work for film and stage. Pair with our article on breaking down the Oscar for adapted screenplay.
On Adaptation
“Music and Memory” Playlists
Granta asks past contributors for short playlists of songs on the theme of memory. Last week features selections by Aimee Bender, Isobel Dixon, and Adam Mars-Jones; weeks past include playlists from Jeffrey Eugenides, Lorrie Moore, and Wells Tower.
J.E. Fishman on The New York Times
On The Nervous Breakdown this week, J.E. Fishman considers the book review practices of The New York Times: “My view is very much eastern, very much old school, where a book review from the Times was the only sure sign that an author had arrived. But maybe it’s time to rethink that, and this rethinking has been long overdue.”
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A Few Chapters Short of a Novel
Do people enjoy writers like Pynchon and Nabokov in part because they’re so odd? A new paper suggests that we tend to like art when we believe its creator is eccentric. The Atlantic reads through a study that’s a bit of a strange one.
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Michiko Kakutani on Jonathan Franzen’s “Freedom”
At The New York Times, Michiko Kakutani gets in an early review of Jonathan Franzen’s Freedom, heralding it “his most deeply felt novel yet.”
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Garth Greenwell’s Rules for Weathering the Artist’s Life
Over at Lit Hub, Garth Greenwell shares his commencement speech for Bennington College, in which he shares his "seven very opinionated thoughts "on weathering the artist's life.
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