“We believe in the digital with abandon. So when something of artisanal quality is placed in our hands, or we see something hanging on a wall drawn by an actual hand, we feel a little shock. We remember how to feel something. Maybe not quite an emotion, but the touch of paper does something to us. We use our senses again.” Celebrating fifty years of the French publisher L’école des Loisirs, Gnaomi Siemens reflects on the power of hand-drawn images and the future of the book.
New this week are Ron Rash’s The Cove, Brian Evenson’s Immobility, and Volume Two of Susan Sontag’s Journals (all books highlighted in our January preview). Out in paperback this week is David Foster Wallace’s The Pale King, from which we recently ran a previously unpublished excerpt.
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.