Recommended Reading: New poetry from John Ashbery in the January 18th issue of the New Yorker. If you’re looking for inspiration, read Ashbery, “buy a bottle of wine and stay up all night drinking it while producing an imitation” of the poet’s work.
When, in 1921, a young French writer working as a translator for James Joyce asked the writer to reveal his schema for Ulysses, Joyce balked, saying that “If I gave it all up immediately, I’d lose my immortality.” What he meant, at least in part, is that he wanted his opus to be relevant in perpetuity. At Full-Stop, Dustin Illingworth reads Ulysses on Twitter and asks: can the book survive the transition from the page to social media? Pair with: Josh Cook on The House of Ulysses by Julian Rios.
Book trailers are one thing, but what’s a literary short film? According to Red 14 founders Adam Cushman and Mike Sandow, “it’s not advertising a product; it gives a cinematic glimpse into the book, one which will ideally make the viewer interested in learning more about the author, the author’s current book, and the author’s past and future work.” Together, the pair has launched a Kickstarter campaign to fund four such films about four worthy titles (Matt Bell’s awesome debut novel among them).
It has become increasingly common for publications to charge a fee upon submitting work. According to The Atlantic, this practice spells disaster for the writing community at every level. Quit paying out to big journals and just charge yourself the fee instead–here’s a piece on the efficacy of self-publishing.