Millennial think-pieces can be a bit redundant. Next time you encounter an article, bring this bingo board with you. For refreshing writing on millennials, our own Kaulie Lewis reflects on Marina Keegan’s The Opposite of Loneliness.
“He represents a failure of empiricism — an unreliability arising not from the absence of rationality, but from the stubborn complexity of perception. This, I would argue, is precisely how the 2016 election went down.” In an article for The Los Angeles Review of Books, Aaron R. Hanlon argues that Cervantes’ classic provides the perfect framework for understanding contemporary America, concluding that “Don Quixote is such a player in US politics that he might as well run for office.” Our own C. Max Magee read Quixote not long after founding the site, deeming it “essential to all who wish to understand ‘the novel’ as a literary form.”
The Olympics Opening Ceremony this year sure was… something. Thankfully, folks more eloquent than I are here to parse its craziness for us: Jenny Diski and Rafil Kroll-Zaidi on what it was, plus Alex Shephard and the Full Stop bunch on what it should have been.
You should totally go to Edan’s reading tonight. But if Brooklyn is inconvenient for you while Manhattan is somehow more manageable, Millions founder and editor Max will be appearing with several other editors at the National Book Critics Circle panel “How to Publish Book Reviews & Features” at The New School at 6:30pm.
“The story that Lee’s book tells (or tries to tell, because much evidence has been obscured or lost) is not about patience on a monument but about talent buried under a heavy plinth, and discovered only just in time—the late achievement less a measured distillation than a lifesaving decoction.” James Wood reviews Hermione Lee‘s new biography of novelist Penelope Fitzgerald for The New Yorker. Pair with Niamh Ni Mhaoileoin‘s Millions essay on the new age of biography.
The Rake takes note of the New Yorker’s particularly dark reading of Goodnight Moon.Iain Hollingshead gamely responds to being awarded the “Literary Review Bad Sex in Fiction Award” for his debut novel Twentysomething, which included such turns of phrase as “everything is pure white as we’re lost in a commotion of grunts and squeaks.”With a few celebs getting in trouble for racist outbursts this year Malcolm Gladwell (ever thoughtful) comes up with a way to figure out who’s really being offensive and who’s just dumb.Maud points to a new blog from one of my favorite publishers, NYRB Press.Dozens of year end-lists floating around here and elsewhere, but I always take special note of Jonathan Yardley’s year-end column because it is always thoughtful and sometimes surprising.To do (as soon as I have the time): listen to the Bat Segundo Show that features Edward P. Jones.
I’ve written before about the First Sentence series at Granta. The magazine asks a prominent writer to explain how they came to write an opening line. Recently, they asked Bear Down, Bear North author Melinda Moustakis to talk about the beginning of her story “River So Close”: “She’s a good-for-nothing chummer.” You could also read Jonathan Russell Clark on the art of the opening sentence.