“I don’t want to write ‘funny’ books where we all have to laugh our heads of all the time. The humor should come from behind, where we don’t expect it. And the life of a well-known writer is something you can laugh about quite easily.” On the occasion of his new novel Dear Mr. M, our own Claire Cameron interviews Herman Koch over at Salon.
Out this week: The Refugees by Viet Thanh Nguyen; Amiable with Big Teeth by Claude McKay; Autumn by Ali Smith; A Separation by Katie Kitamura; 300 Arguments by Sarah Manguso; The Woman Next Door by Yewande Omotoso; Pachinko by Min Jin Lee; and Universal Harvester by John Darnielle. For more on these and other new titles, go read our most recent book preview.
“There’s something about shopping for books where you’re open for anything. You’re faced with a wall of books, and you don’t know anything about most of them. At some point, it’s just you and the poems.” Carl Adamshick talks with the Los Angeles Review of Books about Powell’s and the “bookstore MFA.” Pair with our own Janet Potter‘s essay on loving bookshops.
“This is what set Geeshie and Elvie apart even from the rest of an innermost group of phantom geniuses of the ’20s and ’30s. Their myth was they didn’t have anything you could so much as hang a myth on.” John Jeremiah Sullivan investigates more mysterious musicians in The New York Times Magazine. Bonus: You can listen to their music as you read. For more of Sullivan’s music journalism, read his piece on the origins of ska.
New this week: How to Set a Fire and Why by Jesse Ball; I Am No One by Patrick Flanery; The Long, Hot Summer by Kathleen MacMahon; The Trap by Melanie Raabe; Absalom’s Daughters by Suzanne Feldman; The Dream Life of Astronauts by Patrick Ryan; and Angels of Detroit by Christopher Hebert.