Believe it or not, Fifty Shades of Grey was still the bestselling book of 2015. For a fascinating, in-depth look at what sold and what didn’t, head over to The Guardian. The disconnect between the retail top ten and the myriad year-end lists alone is worth the look.
Fifty Shades Again
Pick and Choose
Tim Waterstone (of the giant UK chain Waterstones) will soon launch a new platform that publishes shorter works. (Like several other companies, it’s been dubbed “the Spotify of books.”)
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It Is Shark Week, After All
Bret Easton Ellis is collaborating with Taxi Driver director Paul Schrader on a new “psychological horror” movie about sharks. Coincidentally, HTMLGiant‘s Blake Butler just revisited Ellis’ infamous novel American Psycho.
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“Anything but the perfect external man”
Philip Roth may have retired, but that doesn’t mean he’s done giving interviews. The author recently sat down with the editor of a Swedish newspaper, who talked with him about misogyny, Sabbath’s Theater and the need for “obstinacy” in a writer. (Related: our own Hannah Gersen reviewed Roth Unbound.) (h/t The Paris Review)
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What do Ian McEwan and Willie Nelson Have in Common?
The University of Texas is on a tear right now. Not only has its Ransom Center acquired Ian McEwan’s literary archive this week, but the nearby Dolph Briscoe Center for American History also just acquired the complete papers of Willie Nelson.
The Reindeer Uprising
“There was an inefficient system in place, and what I did was subvert it by an external rotation of reluctant holly jollies. Nasally, I came to understand that light is a thing that is produced through the collision of particulates, and boy isn’t that the truth.” As part of their year-end review, McSweeney’s republished their ten most popular pieces of 2014, including the above. Its title? “Donald Barthelme Narrates the Progress of the Reindeer.”
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Dreamweaver
For the most part, Tolstoy is known as a realist, despite his work’s occasional dips into fancy. Yet the plotlines of his great novels featured long and important dream sequences. In The New York Review of Books, Janet Malcolm argued that Tolstoy was a master of dreams, using Anna Karenina as proof.