When Kurt Vonnegut wasn't writing, he was drawing. "The making of pictures is to writing what laughing gas is to the Asian influenza," he said. The New Yorker has a slideshow of 10 of his cubist sketches. You can find more of his doodles in the new book Kurt Vonnegut Drawings.
Why are women the primary consumers of true crime literature while an overwhelming majority of the genre showcases violence towards women? Over at Hazlitt, Casey Johnston has a few ideas about this seemingly irreconcilable paradox. Here is a complementary piece by Ujala Sehgal for The Millions on the female True Detectives of literature.
"We editors told ourselves the naked women were merely carnival barkers: they got an audience into the tent, but we kept them with the content." In the Guardian, Playboy's former fiction editor Amy Grace Loyd reveals what it was like to work at the magazine and how she commissioned work from writers like Donna Tartt, Margaret Atwood, and Junot Díaz. Read our review of Loyd's debut novel, The Affairs of Others.
The term “academic writing” is controversial, not least because it implies that academics have an odd and persnickety way of writing. In a blog post for The New Yorker, Joshua Rothman examines the genre, looking back on his time in grad school to argue that academic writing is a “fraught and mysterious thing.”