How has a spirit legally defined as being “without distinctive character, aroma, taste, or color” flourished in today’s economic climate? Victorino Matus‘ Weekly Standard article explores the history and ubiquity of vodka. Perhaps this article is best paired with something from NPR‘s list of “Great American Writers and Their Cocktails.”
“I wanted to be able to approach the subject from many different angles, not just the one most people think of when they think of war: an infantryman with a rifle killing the enemy. What does one make of one’s moral responsibility for killing when you’re part of a crew-fired-weapon whose rounds strike miles away, when you’re not even sure if you have killed people or how many? What about when you’re a chaplain trying to influence policy, or a psychological operations soldier trying to help shape the battlefield?” Phil Klay, author of the National Book Award-winning collection Redeployment, on modes of storytelling and on the psychological difference between citizens and veterans.
Is it possible to share something with a “maybe don’t read this” tag attached? The literary internet has been buzzing today over the moral implications of stripping a writer (and, by association, a human) of their anonymity after this piece on Elena Ferrante was published in the NYRB. Read it or don’t read it, but definitely read her work.
Shakespeare is required reading for the would-be literary scholar, yet with so many articles, books and monographs on the Bard in circulation, it might be time to ask: have English professors finally said all there is to say?
As Alden Jones puts it, a “sex-death-art trifecta” is the core of The Small Backs of Children, the new book by Lidia Yuknavitch. At The Rumpus, he talks with the author about the novel, which centers on a war photographer who takes an iconic photo in Eastern Europe. You could also read the author’s Millions essay from last week.