Over at Vulture, twenty-eight authors including Alexander Chee, Margo Jefferson, Colum McCann, and Eileen Myles write about the books that changed their lives. Pair with our article in which six authors reflect on their childhood reading.
Is the “Dad-bod” a harmless internet trend or an organizational principle of patriarchy? Vishnu Strangeways at The New Inquiry sides with the latter. Our own Edan Lepucki wrote a particularly relevant piece for The Millions on Beyoncé and the problem with feminist anthems–here it is.
As round one of the Tournament of Books wraps up, The Morning News offers some statistical analysis as well as some commentary that addresses the competition and controversies thus far. Round two commences next week!
The finalists for the 2016 Hugo Awards were announced a few days ago, and it looks like the reactionaries may have struck another blow. A group which calls itself “The Sad Puppies” has been stirring up political controversy at the Hugos for a few years now. Founded in 2013 by writer Larry Correia, who was highly critical of the Hugos for favoring what he believed were “academic” works that allegedly promote “left-leaning messages,” the Puppies have since campaigned vigorously to have writers whose ideologies line up with their own make the final ballot.
Writing in the London Review of Books (Reg. Req.), Evgeny Morozov clued me onto how “scientists at UCLA – with funding from the Chinese government – have built an ‘image to text’ system that automatically produces text summaries of what is taking place in captured video.” A similar technology was also developed by NYU student Matt Richardson, whose “descriptive camera” can “automatically describe the scene in a camera’s viewfinder, which, when the image was uploaded, would make it easier to find.” Meanwhile one Twitter is describing typical Instagram shots in 140 characters or fewer.
For Perry Link, it was embarrassing to read Eileen Chang for the first time, because her work revealed things about China it took him too long to learn on his own. In The New York Review of Books, he writes about how Naked Earth, which the magazine’s publishing arm is republishing in June, cut through the jargon of Chairman Mao’s regime. FYI, Jamie Fisher wrote an essay on the book for The Millions.