Over at Vulture, twenty-eight authors including Alexander Chee, Margo Jefferson, Colum McCann, and Eileen Myles write about the books that changed their lives. Pair with our article in which six authors reflect on their childhood reading.
You may have heard that Kazuo Ishiguro recently published his first novel in more than ten years. The Buried Giant, which takes place in Arthurian England, is a departure for Ishiguro, a work of overt fantasy. At Slate, our own Mark O’Connell provides his take on the book. You could also read our own Lydia Kiesling’s review.
Amazon released their annual Best Books of the Year: Top 100 in Print list today (as well as a free and helpful Reader’s Guide), and numerous Millions favorites made the cut. Both George Saunders’s Tenth of December and Philipp Meyer’s The Son cracked the top 10. We reviewed both here and here, respectively. Other notable books boasting extensive Millions coverage include Meg Wolitzer’s The Interestings (review), George Packer’s The Unwinding (review), Eleanor Catton’s The Luminaries (review), Dave Eggers’s The Circle (review), James Salter’s All That Is (review), Karen Russell’s Vampires in the Lemon Grove (interview), Stuart Nadler’s Wise Men (review), Colum McCann’s TransAtlantic (review), and Colm Tóibín’s The Testament of Mary (review). Meanwhile, the top spot belongs to Donna Tartt’s The Goldfinch.
Roberto Bolaño’s posthumous releases may rival Tupac’s in quantity. Indeed, the author “sustains an interest in Latin American literature all by himself,” writes Robert Birnbaum. But what if you want to broaden your survey of Latin and South American literature? Well, luckily, Birnbaum’s got some recommendations for you.
The practice of naming children after a dead sibling was surprisingly common up until the late-nineteenth century–Salvador Dali, Ludwig Van Beethoven, and Vincent Van Gogh were each “necroynms,” or the second of their name. Jeannie Vasco’s essay for The Believer on necronyms and grief is perfect to read alongside this essay for The Millions by Chloe Benjamin on naming not humans, but novels.