The January issue of Asymptote is out, featuring an excellent interview with Year in Reading alumnus Junot Díaz about language acquisition and diasporic identity. As he puts it, “I live a life where both English and Spanish are in italics in my brain. It costs me no extra effort; it doesn’t feel unusual; it doesn’t feel like an infirmity, but it does strike me every now and then that there are people who don’t pick over their language the way I do, who aren’t so self-conscious of what they’re saying, who have a natural tongue.” Pair with Thea Lim’s Millions essay on race and gender in Díaz’s books.
Jonathan Lee, whose novel High Dive was published this week, writes about the “deep disquiet” of finishing your book. “There are lots of books on how to write, and lots of books on how to publish, but I’ve spent the last few weeks looking for a book with a title like How To Get Through The Period Between Finishing A Book and Seeing It In A Bookstore Without Losing Your Entire Grip on Reality. I have failed to find it.”
Shall I compare thee to a wormhole? No, this essay on astrophysics and poetry coupled with a poem for Stephen Hawking is most definitely more lovely. Kalpana Narayanan wrote an essay for The Millions on physics, grief, and Paul Murray's Skippy Dies that may pique your interest.
From Lev Grossman’s blog, “A Brief Taxonomy of Writers”: “As far as I can tell there are two kinds of fiction writers: those who read no fiction while they write, and those who constantly read fiction while they write. Let’s have cute names for them. We’ll call them Soloists and Thieves."