The January issue of Asymptote is out, featuring an excellent interview with Year in Reading alumnus Junot Díaz about language acquisition and diasporic identity. As he puts it, “I live a life where both English and Spanish are in italics in my brain. It costs me no extra effort; it doesn’t feel unusual; it doesn’t feel like an infirmity, but it does strike me every now and then that there are people who don’t pick over their language the way I do, who aren’t so self-conscious of what they’re saying, who have a natural tongue.” Pair with Thea Lim’s Millions essay on race and gender in Díaz’s books.
English Hangs Over Me
Artisans of the Bardic Breath
A couple weeks back, Jonathan Callahan published a crackerjack essay here on Volume 2 of Karl Ove Knausgaard‘s My Struggle. Little did we know that, even as he was writing it, he was being interviewed about his own literary debut, The Consummation of Dirk, by none other than…Rick Moody.
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What a Gas!
Anatoly Liberman unwinds the etymology of “fart,” a word that, despite seeming modern, was used in the original legend of Thor and has been with us since the birth of the Indo-European ur-language.
Problem Solving
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The Story of My Friend
“[T]here are no creative writing programs in Mexico, so people rely on the infinite patience of their friends.” Valeria Luiselli and Laia Jufresa, longtime readers of each other’s work, in conversation over at BOMB Magazine. See also: our review of Luiselli’s The Story of My Teeth.
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Tuesday New Release Day: Ball; Offill; Cash; Finch; Quindlen
Out this week: Silence Once Begun by Jesse Ball; Dept. of Speculation by Jenny Offill; This Dark Road to Mercy by Wiley Cash; The Last Enchantments by Millions contributor Charles Finch; My Life in Middlemarch by New Yorker staff writer (and Millions interviewee) Rebecca Mead; and Still Life with Bread Crumbs by Anna Quindlen. For more on these and other new titles, check out our Great 2014 Book Preview.
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