The January issue of Asymptote is out, featuring an excellent interview with Year in Reading alumnus Junot Díaz about language acquisition and diasporic identity. As he puts it, “I live a life where both English and Spanish are in italics in my brain. It costs me no extra effort; it doesn’t feel unusual; it doesn’t feel like an infirmity, but it does strike me every now and then that there are people who don’t pick over their language the way I do, who aren’t so self-conscious of what they’re saying, who have a natural tongue.” Pair with Thea Lim’s Millions essay on race and gender in Díaz’s books.
English Hangs Over Me
All Our Kids
Margaret Atwood wants to edit the Canadian national anthem. The MaddAddam author and Year in Reading alum thinks a phrase in the current lyrics -- “true patriot love in all thy sons’ command” -- needs to be changed to something more gender-neutral.
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Avoiding Unnecessary Punctuation
Over at The Washington Post, Jeff Guo makes a case against periods. As he puts it, “When we get excited, the pauses between our sentences shrink. We speak in run-ons. [...] A period feels too weighty.” Also check out this Millions piece on the benefits of excising quotation marks.
Cather People
For The New Yorker Alex Ross describes the role Nebraska's prairies played in Willa Cather's writing, his encounters with Cather people, and how he became one himself. "From this roughshod Europe of the mind, Cather also emerged with a complex understanding of American identity. Her symphonic landscapes are inflected with myriad accents, cultures, personal narratives—all stored away in a prodigious memory. "
Dial M for Middling
You’d think the home country of Agatha Christie, Jack the Ripper and Sherlock Holmes would remain the home of great mysteries, but apparently the UK is in trouble. At least, that’s the argument of Christopher Fowler, a writer who smells a rat.
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For the Sake of Cohesion
“Setting is often the last piece of the jigsaw. I start somewhere else—with a kind of a premise, a set of relationships, a theme—and I often have a long period when I can’t figure out where the story should be put down. I find myself going location hunting. Not just for a time and place, but also for a genre, if you like.” Kazuo Ishiguro on the Hazlitt podcast. For more things Ishiguro, here is our own Lydia Kiesling’s review of Ishiguro’s latest novel, The Buried Giant.
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Finding the Fairy Tale Capital
Where is the fairy tale capital of the world? Atlas Obscura investigates. We write about the problem with fairy tales.
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