The New Inquiry‘s updated site launched over the weekend, and it’s currently undergoing a live beta test. They’ve also just unveiled a bumper crop of new bloggers. One of the site’s interesting features is that all of its content is available for sharing and remixing under a creative commons license.
How do we map our experiences? Where You Are (our review) attempts to answer this but ends up raising an interesting relationship between print and online story space. At Music & Literature, Reif Larsen traces the history of interactive books and contemplates the future of online story space. “Considering print books have been around for over five hundred years, online publishing is still in its infancy. Much of the map remains blank.” Pair with: Larsen’s essay on the power of the infographic.
Ever got the feeling that literary life used to be a lot more glamorous? Well, thanks to this review, we now have some proof that it was. In The Times Literary Supplement, a review of Antonia Fraser’s new memoir, which includes her memories of meeting the Queen and dancing with T.S. Eliot. (h/t Arts and Letters Daily)
We’ve written before about various rare recordings of authors reading that occasionally surface on the internet (a sample here) but today we add a new author: James Joyce. Open Culture has posted two recordings of the author reading from Ulysses and Finnegans Wake, and while the audio quality is exactly what you would expect for recordings made in the 1920s, we still recommend listening.
Ultra-niche magazines operate a bit differently than their larger and more mainstream cousins. Magazines like Donkey Talk, which caters exclusively to donkey hobbyists, aim for tiny audiences of a few hundred to a few thousand readers. They also cultivate their own jargon — one magazine, The Mountain Astrologer, tosses the word “quincunx” around as casually as “email.”