Over at Asymptote Journal, Aamer Hussein discusses three well-kept Italian secrets who aren’t Elena Ferrante. Pair with Cora Currier’s Millions essay on reading Italy through Ferrante’s books.
Dispatch from Italy
We Can’t Wait to Compare It to Its British Version
Every now and again, book designers allow themselves a little fun. This is one of those times. Behold David High’s cheeky cover for Florence Williams’ Breasts: A Natural and Unnatural History, out this May from W. W. Norton & Co. (via)
“Jawline of an aircraft carrier”
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.
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High Art
What happened to the literature of clothing? Writers like Balzac and Proust wrote philosophies of clothing, but nowadays there seems to be a wall between literary writing and fashion. In Public Books, Mary Davis reads Women in Clothes, a collection which reveals a lot about how much our views of fashion writing have changed. FYI, Rachel Signer reviewed the book for The Millions.
Dispatch from the Online Retail War
During its ongoing contract talks with the publisher, Amazon has been displaying that Hachette’s books ship in “up to 3-5 weeks.” James Patterson, one of their biggest authors, has declared on Facebook that “there is a war going on between Amazon and book publishers.” The Washington Post has more on the backstory of Amazon’s strategy, while the New York Times blog details how Patterson and other authors are fighting back.
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The Times on Boo
Upon the release of Behind the Beautiful Forevers, the Times profiles the spotlight-shy Katherine Boo, “Unlike many journalists Katherine Boo aspires to invisibility.”
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Have Eyes, Will Write
You’ve read Elif Batuman’s dissertation on the double-entry book-keeping of novelists (pdf), but now your “debit” balance is low. (Whose isn’t these days?) Enter Sheila Heti and Misha Glouberman. They can document your very essence. The Paris Review has an excerpt from The Chairs Are Where the People Go.
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