Recommended Reading: The selected letters of William S. Burroughs at The Paris Review Daily. Read his correspondences with family and writers Allen Ginsberg and Norman Mailer. Pair with Jonathan Clarke’s article on why an author’s biography will never be more important than their writing.
In a head-scratching piece of writing for the New Statesman, Dave Eggers (whose novel The Circle just cracked our Top Ten) reflects on a cross-country drive he took from Jeddah to Riyadh. The journey, and in particular a comment made by his chauffeur, caused Eggers to ponder the significance of his nationality, his ability to perceive danger, and the intentions of others. The short of it: Some people from other countries are nice. Who knew?
“To Yanagihara, the commitment to journalism is a vital expression of the practical side of her nature: she likes the adrenaline of short deadlines and the satisfaction of making a new product each week.” The Guardian profiles Hanya Yanagihara about her life, fiction, and day job as the editor of T magazine, the New York Times style supplement. From our archives: The Millions’ interview with the acclaimed novelist.
Out this week is a highly touted seafaring debut We the Drowned. This book in translation is by Danish writer Carsten Jensen. Another debut effort arriving this week is Open City by Teju Cole, which PW likened to Coetzee, Sebald, and Nicholson Baker. Out in paperback today are Adam Haslett’s Union Atlantic and controversial Millions Hall of Famer Reality Hunger by David Shields.
In a big week for new releases, we have Lev Grossman’s The Magician King, the sequel to his blockbuster debut The Magicians; Nicholson Baker’s House of Holes, reviewed here today; another new Geoff Dyer book, The Missing of the Somme; DBC Pierre’s Lights Out in Wonderland; and Kevin Wilson’s debut novel The Family Fang (which one blurber calls The Royal Tenenbaums meets Who’s Afraid of Virginia Woolf). Four of the five books above, incidentally, were featured in our big second-half preview. And out in a paperback this week are a pair of award winners: Siddhartha Mukherjee’s The Emperor of All Maladies and David Grossman’s To the End of the Land.