Graywolf Press’s Poem of the Week is “Don’t You Wonder, Sometimes?” by David Bowie-fan Tracy K. Smith. She writes, “Bowie will never die. Nothing will come for him in his sleep / Or charging through his veins.” Pair with Sophia Nguyen’s Millions review of Smith’s new memoir, Ordinary Light.
Bowie is Among Us
Tuesday New Release Day: Fallon, Brown, Sriracha
New this week is a debut collection of loosely linked stories that’s been getting some attention. Military families are the common theme in Siobhan Fallon’s You Know When the Men Are Gone. Another newly released debut is Eleanor Brown’s The Weird Sisters about a Shakespeare scholar’s three daughters, all named after characters from the Bard’s plays. Also new this week, a tome dedicated to the “hot” condiment of the moment, The Sriracha Cookbook.
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Woolf Tones
Still not sure if you want to keep a diary? Perhaps the testimony of Virginia Woolf can convince you.
“I have a lot of feelings about the meeting.”
I highly recommend reading Jennifer Gilmore’s emotional essay on meeting “the birth mother.”
You Choose It, It Chooses You
Recommended Reading: This essay by Melissa Febos which won the 2015 Center for Women Writers Prize in Creative Nonfiction. We’ve previously mentioned Febos’s work in a couple of essays about New York writers.
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The Peripatetic
Over the past fifteen years, Mohsin Hamid has moved from New York, to London, and to Lahore, Pakistan, with stints in Italy and Greece. His new book, which came out yesterday, is a series of essays about his odyssey across the world, chronicling his observations and experiences that led him to move. At Bookforum, a review by Jake Lamar.
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Reading In The Future
Over the years, Maria Popova (aka Brain Picker) has provided readers with thousands of hours of diversion. But how, exactly, does she think we will read years from now?
Skateboarding’s Art and Craft
Joel Rice‘s “Flip” column for McSweeney’s discusses the culture of skateboarding. This week he interviews Cole Louison, author of The Impossible: Rodney Mullen, Ryan Sheckler, and the Fantastic History of Skateboarding.
Unlocking the Doors
How does Karl Ove Knausgaard delve into some of the oldest parts of his memory for his writing? “I remember every single room that I have been in from the age of seven. What I did was to place myself in those rooms, and when I started to write about them it was like unlocking a thousand small doors, all leading further into childhood,” he told Cressida Leyshon at The New Yorker. Knausgaard also has a story, “Come Together” (behind the paywall), in the current issue. Pair with: Our essay on My Struggle.
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