The Greek gods and goddesses were nothing if not self-serving. From Mallory Ortberg over at The Toast, here is an introduction to Dirtbag Hera. Don’t you worry, Dirtbag Athena got her comeuppance, too.
Babies Don’t Like Snakes
A New Quarterly Conversation
Another quarter, another Quarterly Conversation. Check out reviews of Kirsty Gunn’s “incantatory prose” in The Big Music, an interview with Lars Iyer, and much more.
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New Stoppard on the Way
A new Tom Stoppard play entitled “The Hard Problem” will open next January at the UK’s Dorfman Theatre. The production will be Stoppard’s first new play since “Rock N’ Roll” in 2006.
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Thoughts on a Prodigy
“The American poem was not in a grave at that time; not by any measure. There was achievement, experiment, excitement. But there was also confinement. It could be felt in the air, in an ethos of conditional acceptance. A young woman poet was not yet a familiar sight. When Auden remarked about [Adrienne] Rich’s poems, after choosing her as a Yale Younger Poet, that they were ‘neatly and modestly dressed,’ it sounded more like a counsel for the nursery than acclaim for a new writer.” At The New Republic, Eavan Boland reflects on the legacy of the poet, whose posthumous collection, Later Poems, came out last week.
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Can We Keep “Making It New”?
Recommended reading: Pankaj Mishra and Benjamin Moser debate the continued possibility and relevance of Ezra Pound‘s “Make it New” for The New York Times Books Bookends.
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“Hauntedness is a feeling.”
Wyvern is publishing a “Haunted” theme issue just in time for Halloween this year, and you have until mid-September to submit your work. “Haunting is in your bones,” Wyvern’s editors write. “You know it when you feel it, and you know it when you write it. That is what we’re looking for.”
All Places Are Temporary
Is he a vandal? Is he a post-Situationist? Maybe the text-art Banksy? Who knows. One thing is for sure – Scottish poet Robert Montgomery is taking his poetry to the streets.
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