I’ve told you about The Atlantic’s By Heart series plenty of times before. This week brings us novelist Paul Lisicky taking a close look at how Flannery O’Connor’s “flawed” characters are the ones we find ourselves drawn to most.
A Good Character Is Hard To Find
The Poetry of Tim Riggins
"I used to go out in the brush sometimes,/So far out there no one could hear me,/And just burn." In the new issue of Gulf Coast, Nico Alvarado writes poems from the perspective of Friday Night Lights's Tim Riggins including "Tim Riggins Speaks of Waterfalls" and "Tim Riggins Invents a New Number."
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Scenes from a Marriage
Recommended Reading: Year in Reading alumna Emily Gould revisits Chris Kraus’s “cult feminist classic” I Love Dick, as it appears for the first time in the UK.
I Heard You Like Underground So…
Xzibit would have a field day with this one: an underground bookshop that sells underground books and zines.
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The Best of Last (Crusade)
I'm shocked that this is even open to debate. Emily Asher-Perrin on why Indiana Jones and the Last Crusade is the best of all Indy films.
Words of Wonder
Over at Aeon, Jenny Davidson explores what makes a great sentence. As she puts it, “A great sentence makes you want to chew it over slowly in your mouth the first time you read it. A great sentence compels you to rehearse it again in your mind’s ear, and then again later on.” Pair with our own Michael Bourne’s essay on sentence structure for creative writers.
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Read what you want.
After last week's NYT "Room for Debate" feature, ostensibly in answer to the question of why so many adults read YA fiction, Roger Sutton at the Horn Book took umbrage at the panelists' only partial engagement with the question. In the end though, he makes his own position clear: "I don’t worry about adults reading YA novels. Read what you want."