“The first sentence, itself described as a ‘decoy for attention’ in a 1930 story on the new art, is a lure within a lure, created in a new economy increasingly predicated on commercial diversification and instant appeal, in a book market that had never been so populated.” Electric Lit takes us through the history of the novel’s first sentence. Pair with our essay on the art of the opening sentence.
A Decoy for Attention
Kafka’s “The Country Doctor” as a film
The internet’s repository of Franz Kafka-inspired literary treats seems to have no bounds. This latest: his excellent short story “The Country Doctor” has been adapted by Japanese filmmaker Kōji Yamamura into a 20-minute animated film (subtitled). Kafka adaptations clearly aren’t going anywhere. Pair with our essay on the subtle art of rereading his most famous story.
Smells Like Teen Dispirit
“I saw it as a breath of fresh dark honest night air. I could live in my grief and be weird in my grief.” A.N. Devers writes about her love of Twin Peaks for Longreads, situating the show within her contemporary experiences of losing her grandparents and her girlhood.
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Old Saws
We’ve written before about the By the Book series, in which the Times invites well-known authors to talk about their favorite books. This weekend, they interviewed the historian James M. McPherson, who recalled his childhood reading habits and cited his favorite examples of Civil War literature. Pair with: Darryl Campbell on the Civil War series by Ken Burns.
Fuck Me, Ray Bradbury
This pornographic valentine to Ray Bradbury is an anthem for all bookish teenage girls out there.
Amor Amphibii
We submit that beginning a love story with the lede “I never intended to get a tortoise” pretty much guarantees that the reader will read to the end. In Sunday’s New York Times Style section, Caroline Leavitt puts our theory to the test. (If you like her essay, you might want to pre-order her new novel.)