“I couldn’t tell if a poem I was writing would come to anything or not until the last line was there. That’s always been my method. I may have revised less than some other poets, but I think I write as much crap as anyone.” Kaveh Akbar interviews Sharon Olds about inspiration, contemporary poetry, and rejection letters for Divedapper. Pair with this Millions piece, featuring seven editors looking back on their rejection styles.
Writerly Humility
Let’s Get a Move On, Scientists
David Graeber, author of Debt: The First 5,000 Years (which was brilliantly reviewed by Benjamin Kunkel in the LRB recently), wonders why the world doesn’t yet have any flying cars. It’s 2012, people!
James Alan McPherson Passes Away
Pulitzer Prize-winning author James Alan McPherson has passed away at 72. His anthology Elbow Room won the Pulitzer for fiction in 1978. He was one of the first individuals to receive a genius grant from the MacArthur Foundation. He graduated from Harvard Law school, but instead decided to pursue writing and later earned an MFA from the Writers’ Workshop at the University of Iowa, where he was a professor emeritus.
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Entourage v. Mad Men
Is “Entourage” just “Mad Men” set in modern times? This article, of course, must be paired with Carles‘ Grantland piece, “I Don’t Want to Bro Up, I’m an ‘Entourage’ Kid.”
Jefferson on Construction
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D.H. Lawrence on Trial
Ben Yagoda provides a step-by-step recount of the 1959 British obscenity case over Lady Chatterley’s Lover, and every noted literary name from Graham Greene to Evelyn Waugh to T. S. Eliot who weighed in: “The whole thing was very well stage-managed with a splendid cast.”
Thinking of pitching 33 1/3?
If you’ve ever thought you’d like to write a book on a beloved album for the 33 1/3 series you might find RJ Wheaton’s reflections on the pitch process of definite interest. For the record, he wrote the one on Portishead’s Dummy.
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