“I couldn’t tell if a poem I was writing would come to anything or not until the last line was there. That’s always been my method. I may have revised less than some other poets, but I think I write as much crap as anyone.” Kaveh Akbar interviews Sharon Olds about inspiration, contemporary poetry, and rejection letters for Divedapper. Pair with this Millions piece, featuring seven editors looking back on their rejection styles.
BLDGBLOG, which has “always been interested in learning how novelists see the city,” interviewed China Miéville about “the conceptual origins of the divided city featured in his… award-winning novel The City & The City,” among other things. Architects, fans of urban decay, and general lit nerds are going to have a field day with this link, I promise you.
Recommended Reading: The Missouri Review’s poem of the week is Rose McLarney’s “Arcadia” from the fall 2013 issue. “It’s the feeling of the inquiry, ‘Don’t I know you from somewhere?,’ a traveler gets when she walks into a new place and still, somehow, recognizes a quality in a face, or can somehow hum a refrain in an otherwise strange song,” she writes about her poetry.
Radiohead can typically do no wrong in the eyes of fans and culture pundits, but author Ian Rankin describes how even these indie heroes got him stuck in customer service hell: ” no e-mail address; no phone line; no possibility of human contact.”