“There are two extreme views about punctuation … the first is that you don’t actually need it because it’s perfectly possible to write down what you want to say without any punctuation marks or capital letters and people can still read it youdontevenneedspacesbetweenwordsreally. The second view is that punctuation is essential, not only to avoid ambiguity but also because it ‘shows our identity as educated people.’” Here is Adrienne Raphel from The New Yorker with a history of punctuation in the internet age.
Valeria Luiselli has a new novel coming out, and BOMB has an exclusive excerpt. Titled “Hyperbolics,” it juxtaposes the goings-on at a church auction with descriptions of items on offer, which steadily grow macabre. You might want to check out her first novel after reading it to get some context.
Despair, debt, frustration, a decade in school rewarded with guaranteed joblessness. If this cocktail of woe sounds good to you, consider getting a Ph.D. in English, History, or any other humanities discipline. At the New York Times, yet another of the recent spate of articles explaining how utterly dismal the prospects of recent humanities Ph.D.s are.
Photographer Christopher Jue journeyed with People Who Eat Darkness author Richard Lloyd Parry into the four-story headquarters of the Kudō-kai, a Yakuza group headquartered on the Kyushu island of Japan. “My mental note to myself,” says Jue, “was ‘once I step foot into their property, anything can happen.’”
A V.I.G. (very important garment) will be making its way to the U.S. this August. Pride and Prejudice fans can now see the shirt Colin Firth wore as Mr. Darcy in the exhibition “Will & Jane: Shakespeare, Austen, and the Cult of Celebrity.” We rewrote the title of Pride and Prejudice and other books as clickbait. You should definitely read it.
Kudos to Claire Vaye Watkins for taking home the Dylan Thomas Prize! Worth £30,000, the prize went to Watkins because, in the words of of the chair of the judging panel, she possesses “some of Dylan Thomas's extraordinary skill in the short story form.” (Read more about Watkins’s work in Geoff Mak’s review of her 2012 book Battleborn.)