“There are two extreme views about punctuation … the first is that you don’t actually need it because it’s perfectly possible to write down what you want to say without any punctuation marks or capital letters and people can still read it youdontevenneedspacesbetweenwordsreally. The second view is that punctuation is essential, not only to avoid ambiguity but also because it ‘shows our identity as educated people.’” Here is Adrienne Raphel from The New Yorker with a history of punctuation in the internet age.
Our own Edan Lepucki interviewed National Book Award finalists George Saunders and Rachel Kushner for the National Book Foundation. Saunders discussed money issues in his writing. “Now I feel like paucity vs. grace is one of the great American issues—we all live with it every day.” Kushner explained her writing process. “The sentences are beads on a string; I see each one as essential.”
Twitter lets writers think in public, and it’s changing the way we write, Thomas Beller argues in The New Yorker. “Does articulating a thought in public freeze it in place somehow, making it not part of a thought process but rather a tiny little finished sculpture? Is tweeting the same as publishing?”
Along with D.T. Max, Laura Miller, and Jason Kottke, I’ll be participating in this week’s discussion of Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace over at New York Magazine.
Bygone Bureau editor Jonathan Gourlay spent eleven years living on the microscopic island of Pohnpei, and fortunately for us he kept his wits about him long enough to churn out a “funny, haunting travel memoir” entitled Nowhere Slow. You can check out an excerpt from the eBook over here.
“I’m fascinated by epigenetics. My father had polio that affected his left leg, and I walk with my left foot turned in for no good reason at all. I was attacked by a dog when I was ten, and both my daughters have an irrational fear of dogs. It makes a strange kind of sense.” Year in Reading alum Rebecca Makkai discusses Music for Wartime and her writing process with Christine Rice. We interviewed Makkai following the release of The Hundred-Year House.