Tuesday New Release Day: Tuil; Curtright; Young; Hall; Bukowski

There's been a lot of talk about women breaking into traditionally male fields and hobbies, but in a blog post at The Missouri Review Caitlin Rosberg laments the continued underrepresentation of female characters and creatives in comic books.  She then explores the work she's doing to improve the situation by publishing women writers and artists in works like the Ladies' Night Anthology. As she says, "I’m motivated in no small part by being able to say to those 'make your own' strawmen, 'I do.  I’m an editor contributing to published comic books.  Are you?'"

This week in the New Yorker Jane Hu analyzes the "dispassionate first-person narrators" prominent in works by English-speaking Asian authors and questions whether that makes it easier to identify with the narrator. She uses Chemistry by NBA 5 under 35 honoree Weike Wang as an example along with other recent works.  "Against this tradition, there is, perhaps, another emerging, of Asian-Anglophone writers who both play with and thus begin to undo these tropes of Asian impersonality. The novels by Ishiguro, Park, Lin, and Wang all feature first-person narrators who keep their distance—actively denying readers direct interior access. This is true, it’s important to note, even when the characters they write are not themselves Asian."

"It wasn’t our job to be aroused; it was our job to enhance literature meant to arouse our paying readers." Kayleigh Hughes writes for Catapult about her year of editing e-erotica. You will learn myriad things from her account, such that publishers list "every sex act contained in every book, and the page on which those activities could be found, so that those in sales could properly categorize and organize the books for maximum success in the e-market." And if your lust still requires further satiation, see also this account of writing the erotica itself.